None are a black metal band from the US and this is their third album.
The artists behind None have released an album every April since 2017’s very enjoyable self titled debut. In 2018 we were treated to the superior and very well-formed Life Has Gone on Enough, which saw the band’s blackened vision improve even further. Now it’s 2019, and we have Damp Chill of Life, the apex of their development so far. Continue reading “None – Damp Chill of Life (Review)”
Wormwitch are a Canadian black metal band and this is their second album.
Heaven That Dwells Within features 46 minutes of black metal that’s accessible, catchy, and memorable, while still retaining underground aesthetics, dark atmospheres, and grim intent. Continue reading “Wormwitch – Heaven That Dwells Within (Review)”
This is the debut album from Ceremony of Silence, a Slovakian blackened death metal band.
Dissonant and atmospheric, this is music that’s dense with malignant promise and filled with a form of bleak, otherworldly evil. Continue reading “Ceremony of Silence – Outis (Review)”
March proved to be this year’s strongest month for metal releases yet. I was hard-pressed to keep this list as short as it is, and any of the albums listed below are worthy of your attention. Continue reading “Monthly Overview – the Best of March 2019”
Mord’A’Stigmata are a post-black metal band from Poland and this is their fifth album.
After 2013’s Ansia and 2017’s Hope, I’m a firm fan of what this band produce, and Dreams of Quiet Places is their latest masterpiece. I don’t use that word lightly either. Continue reading “Mord’A’Stigmata – Dreams of Quiet Places (Review)”
This is the third album from Falaise, a post-black metal band from Italy.
I’ve enjoyed watching Falaise develop over the years. 2015’s As Time Goes By introduced the world to the band’s melancholic, depressive take on atmospheric post-black metal, and then 2017’s My Endless Immensity consolidated the band’s strengths, further expanding their post-black metal sound. Continue reading “Falaise – A Place I Don’t Belong To (Review)”
Dispyt are a blackened crust band from Finland and this is their debut album.
Featuring members of Finntroll & Ondfødt, Den Ständigt Närvarande Ångesten contains 27 minutes of crust, punk, d-beat, and hardcore nastiness, all realised through a second wave black metal filter. Continue reading “Dispyt – Den Ständigt Närvarande Ångesten (Review)”
At Dusk is a one man US black metal band and this is his second album.
This one man black metal band, (a member of Nan Elmoth), has always been one I’ve enjoyed. Both 2014’s Anhedonia and 2017’s split with Sacerdos left me wanting more, which we now have in the shape of Condemned, (the title track of which is the same song that was on the split with Sacerdos). Continue reading “At Dusk – Condemned (Review)”
Akrotheism are a Greek black metal band and this is their second album.
I enjoyed 2014’s Behold the Son of Plagues, but it seems like quite a while since that release was unveiled to the world. Well, it has been I suppose. Continue reading “Akrotheism – The Law of Seven Deaths (Review)”
Devourer are a Swedish black metal band and this is their third album.
Having really enjoyed 2017’s Across the Empty Plains, Devourer’s latest album is very well-received. Containing eight tracks of black metal that’s raw, cold, and merciless, Dawn of Extinction finds Devourer continuing to progress their sound without losing any of the assets they have accumulated so far from previous releases. Continue reading “Devourer – Dawn of Extinction (Review)”
Wonderbox Metal 