Midnight Odyssey – Biolume Part 3 – A Fullmoon Madness (Review)

Midnight Odyssey - Biolume Part 3 - A Fullmoon MadnessThis is the eighth album from Australian one-man black metal act Midnight Odyssey.

Here it is, the one we’ve all been waiting for – the third and final part of the Biolume trilogy. Emerging from the long, deep shadows of 2015’s Shards of Silver Fade, 2019’s Biolume Part 1 – In Tartarean Chains, and 2021’s Biolume Part 2 – The Golden Orb, how can Biolume Part 3: A Fullmoon Madness possibly compare? After all, all three of the aforementioned releases either made it into my end of year list in the top five, (here), or the coveted top spot, (here and here). How does this one one fare? Continue reading “Midnight Odyssey – Biolume Part 3 – A Fullmoon Madness (Review)”

Ushangvagush – Pestmo’qon (Review)

Ushangvagush - Pestmo'qonThis is the second album from US solo black metal band Ushangvagush.

Ushangvagush is an indigenous black metal project that channels a range of influences into a single 46-minute song, (chopped into two tracks for physical media). It’s an album of depth and substance, one that’s richly rewarding for those initiated in the ways of underground black metal. Continue reading “Ushangvagush – Pestmo’qon (Review)”

Leukotomy – Eternal Path to Eden (Review)

Leukotomy - Eternal Path to EdenLeukotomy are a Vietnamese black metal band and this is their debut album.

Eternal Path to Eden delivers 51 minutes of black metal that has a second wave base which has been adorned with avant-garde enrichments. Continue reading “Leukotomy – Eternal Path to Eden (Review)”

Returning – Severance (Review)

Returning - SeveranceThis is the debut album from US black metal band Returning.

Containing 48 minutes of music, Severance is a journey into the horrors of ecocide and a hymn to the natural world. Blending black metal with the ambient and atmospheric styles to create immersive soundscapes that exude emotional power, Severance is a shock to the system and a call for better times. Continue reading “Returning – Severance (Review)”

Iravu – A Fate Worse Than Home (Review)

Iravu - A Fate Worse Than HomeThis is the debut album from Malaysian one-man black metal band Iravu.

A Fate Worse Than Home contains 34 minutes of expressive, cosmic black metal. Mixing the atmospheric, ambient, and progressive styles into an engaging whole, the artist behind Iravu has crafted something quite special here. Continue reading “Iravu – A Fate Worse Than Home (Review)”

Givre – Destin Messianique (Review)

Givre - Destin MessianiqueThis is the third album from Canadian black metallers Givre.

Givre play atmospheric black metal and on Destin Messianique they provide 35 minutes of raw and underground black metal with an academic and historical theme. Continue reading “Givre – Destin Messianique (Review)”

Olhava – Reborn (Review)

Olhava - RebornOlhava are a Russian ambient/post-black metal band and this is their fifth album.

2021’s Frozen Bloom was an enjoyable blend of atmospheric post-blackened intensity and shimmering dark ambience. Have Olhava managed to recreate their dark magic once again? Continue reading “Olhava – Reborn (Review)”

Bhleg – Fäghring (Review)

Bhleg - FäghringThis is the fourth album from Swedish black metallers Bhleg.

I always enjoy it when a new Bhleg release comes along, (Draumr Ást, Solarmegin, Ödhin), so Fäghring is well-received by yours truly.

Bhleg’s atmospheric brand of folk-enriched black metal spreads Continue reading “Bhleg – Fäghring (Review)”

Ennoven – Empty Passes, Silent Trails (Review)

Ennoven - Empty Passes, Silent TrailsThis is the second album from Polish one-man post-black metal band Ennoven.

This is the follow up to 2014’s Redemption, which was a very enjoyable debut record. Empty Passes, Silent Trails, however, is on another level entirely. It contains only four tracks, but lasts 47 minutes, and spans a world of emotion and mood. Continue reading “Ennoven – Empty Passes, Silent Trails (Review)”