Abyssal – Wonderbox Metal

Malthusian – The Summoning Bell (Review)

This is the second album by Irish blackened death metallers Malthusian.

2018’s Across Deaths was a nightmarish, venomous first record from Malthusian, ably showcasing their hideous blackened death metal style. In 2022 we were gifted with Time’s Withering Shadow, their split with Suffering Hour, which was another impressive outing, for both bands concerned. Which brings us to the 54-minute The Summoning Bell. Have Malthusian continued their ascent from the bowels of the underworld? Continue reading “Malthusian – The Summoning Bell (Review)”

Vakker – What Will Become of Our Pain (Review)

This is the debut album from US black metal band Vakker.

I only encountered What Will Become of Our Pain due to a random social media recommendation, and I’m very glad I did. Vakker play atmospheric black metal, only with the sort of horrific, monstrous vocals that you wouldn’t normally associate with the style. Continue reading “Vakker – What Will Become of Our Pain (Review)”

Sacred Noose – Vanishing Spires (Review)

This is the debut album by Sacred Noose, a black/death metal band from Northern Ireland.

Vanishing Spires offers up a 31-minute concoction of poisonous black, death, and doom metal, all poured into a think tar-like substance of misery, pestilence, and woe. Sacred Noose are like a shroud of horror and violence hiding a deeper malevolence that just wants everything to decay and wither away.

Continue reading “Sacred Noose – Vanishing Spires (Review)”

Fortress Festival 2024 – Scarborough Spa, Scarborough, 01-02/06/24 (Live Review)

What an incredible lineup this is. I mean, just look at it. It’s ridiculous. I’ve never been to Fortress Festival before, (this is its second year), or Scarborough, but this was an event not to be missed. My words below won’t really do justice to what a great festival this was, but hopefully you’ll get a flavour of it at the very least.

Before we get into it – if you’ve ever read one of my live reviews previously you’ll notice that the quality of the photos used here far, far, far outstrips my usual meagre efforts. This is because I didn’t take them. I’m enormously pleased to say that they very talented Aleksandra Hogg captured and supplied all of these photos, and I urge you to check out her work at Acidolka here, here, or here. Continue reading “Fortress Festival 2024 – Scarborough Spa, Scarborough, 01-02/06/24 (Live Review)”

Aberration – Refracture (Review)

$Aberration - Refracture$ This is the debut album from US death metal band Aberration.

Hot on the heels of January’s split with Diabolic Oath comes the hideous 42-minute Refracture. After that release, I was looking forward to hearing more from both bands, but I wasn’t expecting something so soon. Continue reading “Aberration – Refracture (Review)”

Aberration/Diabolic Oath – Divinations – Split (Review)

This split is between two US bands, Aberration and Diabolic Oath, both of whom play black/death metal.

Each band contributes one song to this split. We start with Aberration, with the six-minute Divinations of Flesh. Aberration contain members of Nothingness, Void Rot, and Suffering Hour, so it’s safe to say expectations are high. Continue reading “Aberration/Diabolic Oath – Divinations – Split (Review)”

Ageless Summoning – Corrupting the Entempled Plane (Review)

Ageless Summoning are a death metal band from the UK and this is their debut album.

Featuring members of Abyssal, Inculcator, and Of Spire and Throne, Corrupting the Entempled Plane contains 49 minutes of ancient death metal that’s baleful and absolutely packed with evil riffs. Continue reading “Ageless Summoning – Corrupting the Entempled Plane (Review)”

Hasard – Malivore (Review)

This is the debut album from one-man black metal band Hasard.

Malivore contains 45 minutes of dark, nightmarish black metal. It’s a dissonant, avant-garde style, infected with bleak atmosphere and classical symphonic influences. For a rough guide, think of bands such as Ævangelist, Abyssal, Akhlys, and Blut Aus Nord. Continue reading “Hasard – Malivore (Review)”

Tchornobog/Abyssal – Split (Review)

This is a split release between US black/doom solo act Tchornobog and UK black/death band Abyssal.

It’s been five long years since Tchornobog’s 2017 self-titled monster, which I really, really liked. Well, the artist has now returned, alongside a host of collaborators, with a single 24-minute track called The Vomiting Choir. Continue reading “Tchornobog/Abyssal – Split (Review)”