Eradikal Insane – Mithra (Review)

Eradikal InsaneEradikal Insane are a French death metal band and this is their debut album.

Eradikal Insane play modern death metal that’s high-impact and straight to the point.

The band vary the speeds that they operate in, but always go full-on regardless of what they do. The fast parts are very fast, the mid-paced grooves are generously dense and the breakdown-styled sections are heavy and crushing. Continue reading “Eradikal Insane – Mithra (Review)”

Interview with Defiatory

Defiatory Logo

Defiatory are a thrash metal band from Sweden that have released a rather storming debut album called Extinct. Combining thrash’s classic sound with a more modern style, it’s a really strong first release, and one that I’ve been spinning rather more than I expected to. There’s something very catchy and more-ish about it, which is as it should be for any good metal album of this type. I took the opportunity to find out more about this new band…

Introduce us to Defiatory!

Defiatory is a band from Umeå, Sweden. Established in 2015. We started as a two piece band, recording demos for fun. But we got a lot of good reviews on our demo tracks and thought what the hell, lets make something out of this. And here we are!

What are your influences?

Early 90’s bay area thrash metal such as: Exodus, Metallica, Testament, Megadeth and the likes.

What inspires you about thrash metal?

Continue reading “Interview with Defiatory”

Shodan – Protocol of Dying (Review)

ShodanThis is the début album by Shodan, a death metal band from Poland.

Shodan play modern death metal for the most part, but also incorporate a myriad of other influences and ideas into this atypical release.

The interesting thing about this band is how they develop their style for each song; it all revolves around a modern core of solid death metal, but each track uses this in its own way and incorporates different elements from Continue reading “Shodan – Protocol of Dying (Review)”

Great Reversals – Mere Mortals (Review)

Great ReversalsGreat Reversals are a US hardcore band and this is their debut album.

After an impressively striking EP, Natural Burial, I was pleased that Great Reversals had returned with their first full-length.

Great Reversals play heavyweight hardcore that has a distinct 90s feel. This is blended with a touch of metal and a few post-hardcore elements here and there. Continue reading “Great Reversals – Mere Mortals (Review)”

Junk Fuck Militia – Greatest Hits (Review)

Junk Fuck MilitiaJunk Fuck Militia are a Polish grindcore band. This is their latest album.

Junk Fuck Militia play grindcore with lashings of hardcore, powerviolence and sludge. This means that the songs play with different speeds, moods and textures according to the desires of the band.

Even though the average song length is about a minute or so, due to the aforementioned stylistic influences you never quite know Continue reading “Junk Fuck Militia – Greatest Hits (Review)”

Archetype – Mission (Review)

ArchetypeThis is the debut album from Archetype, a Canadian progressive death metal band.

This is a progressive mixture of death and thrash metal that’s not short on confidence or character. Or, for that matter, a rather insane delivery style.

The songs have a decent mixture of aggressive thrash metal, (with a kind of German, Destruction/Kreator feel), and melodic death metal, (Carcass/Arsis), mixed in with more technical and progressive tendencies that see the band producing Continue reading “Archetype – Mission (Review)”

Abominant – Napalm Reign (Review)

AbominantThis is the eleventh album from these US death metal veterans.

Abominant’s last album, Onward to Annihilation, was one of the better albums of 2013, so I had high hopes for Napalm Reign. I have not been disappointed.

The band play an underground death metal style that has both thrash and black metal elements, as well as even some power metal ones. This last aspect of their sound was evident on one track on Onward to Annihilation, and although it’s still only a very small part of their sound, it’s developed a little further Continue reading “Abominant – Napalm Reign (Review)”

Interview with The Sound That Ends Creation

The Sound That Ends Creation Logo

The debut album from The Sound That Ends Creation is named We Are the Burden, but what a glorious burden it is. The bastard offspring of grindcore, hardcore, sludge, mathcore, death metal and black metal, it’s the kind of release that’s just plain nasty and savage, rending the listener limb from limb with its extremity. I caught up with the brains behind the outfit to find out a bit more…

Tell us a bit about the background of The Sound That Ends Creation

There’s not much to say, I started working on the songs at the beginning of the year and I wrote enough for an album.

How did the name originate?

Continue reading “Interview with The Sound That Ends Creation”

Bent Sea/To Dust – Ascend/Descend – Split (Review)

Bent SeaThis is a split release between Bent Sea and To Dust, both of which play grindcore and both of which feature a plethora of members/ex-members of bands such as Aborted, Megadeth, Soilwork, Napalm Death, (Bent Sea), and Abigail Williams, Vintage Warlords, Humanity Is Cancer, Grave Plague, Fountain of Piss, Severed Remains, The Black Dahlia Murder and Phobia, (To Dust).

Phew. As you can see, there’s a lot of experience here.

The first half of the split is provided by Bent Sea, who give us almost 10 minutes of state-of-the-art ferocity. Continue reading “Bent Sea/To Dust – Ascend/Descend – Split (Review)”

Oracles – Miserycorde (Review)

OraclesOracles are a metal band from Belgium, this is their debut album.

Featuring current and ex-members of Aborted, System Divide and Dimlight, as well as guests from current and ex-members of Black Dahlia Murder, Scar Symmetry, Nevermore and Arch Enemy, this is a release that’s something a little different and backed up by a wealth of experience. Continue reading “Oracles – Miserycorde (Review)”