Cryptosis are a extreme metal band from the Netherlands and this is their second album.
Following on from 2021’s well-received Bionic Swarm, Cryptosis are now back with the 42-minute face ripper Celestial Death. I am of the opinion that a black metal touch makes everything better. Cryptosis seem to agree. Continue reading “Cryptosis – Celestial Death (Review)”
This is the debut album from US doom band Guiltless.
Following on from last year’s enjoyable debut EP Thorns, it’s time to see what Guiltless are capable of across a full length. Brought to us by current/ex-members of Intronaut, Generation of Vipers, Battle of Mice, A Storm of Light, IIVII, and Neurosis, the 43-minute Teeth to Sky is no disappointment. Continue reading “Guiltless – Teeth to Sky (Review)”
This Gift Is a Curse are a blackened hardcore/sludge band from Sweden and this is their fourth album.
I thoroughly enjoyed 2019’s A Throne of Ash, so the return of This Gift Is a Curse is a welcome one. They’ve not held back either; Heir is a 67-minute monster. Honestly, I was expecting something good from the band, but Heir is just exceptional. Continue reading “This Gift Is a Curse – Heir (Review)”
This is the ninth album from US deathcore/death metal band Whitechapel.
I do so enjoy a new Whitechapel album. Our Endless War, Mark of the Blade, The Valley, Kin – take your pick; all Whitechapel albums have something a to offer, and all hit the spot for yours truly. Well, the band are back once more with a new 45-minute album in the shape of Hymns in Dissonance. Continue reading “Whitechapel – Hymns in Dissonance (Review)”
This is the fourth album from Swedish black metallers Istapp.
Brought to us by current/ex-members of bands such as Entrails, Necrophagous, Soijl, and Visceral Bleeding, Sól Tér Sortna contains 45 minutes of sharp and fast melodic black metal. Continue reading “Istapp – Sól Tér Sortna (Review)”
Raging Speedhorn are a sludge metal band from the UK and this is their seventh album.
Following on from 2016’s Lost Ritual and 2020’s Hard to Kill, we’re now treated to the 35-minute Nightwolf. Raging Speedhorn are such a great, fun band, that a new album from this act is always a treat. Continue reading “Raging Speedhorn – Nightwolf (Review)”
Avulsed are a Spanish death metal band and this is their seventh album, (or eighth, if you include Deathgenerations).
It’s been sooooooo long since the last Avulsed album. 2013, in fact – Ritual Zombi. The band haven’t been totally dormant though, as 2015 brought us the EP Altar of Disembowelment, and then over the following two years we were subjected to a whole a feast of gore in Deathgenerations and Night of the Living Deathgenerations. Arising from personal tragedy, 2023 then teased us with the two-track Extraterrestrial Carnage, which whet the appetite for more quite considerably. And more, we now have. Continue reading “Avulsed – Phoenix Cryptobiosis (Review)”
I didn’t want to miss the chance to see Distant and Enterprise Earth, so I have been looking forward to this show. The latter in particular keep impressing me, to the point where they are now easily one of my favourites when it comes to the deathcore and related styles.
It’s not one of the busiest shows I’ve been to unfortunately, (although it certainly wasn’t as empty as some), but for those in attendance it was riotously good fun. Continue reading “The Origin of Madness Tour – Enterprise Earth/Distant/The Last Ten Seconds of Life/Harbinger – Rebellion, Manchester – 27/02/25 (Live Review)”
This is the debut album from UK rock band Oversize.
Oversize play a mix of alternative rock, post-hardcore, grunge, and shoegaze, and Vital Signs delivers 32 minutes of their personable brand of music. This album takes me back many, many years, yet still offers something worth paying attention to in 2025. Continue reading “Oversize – Vital Signs (Review)”
This is the third album from UK post-metal band The Grey.
The Grey blend post-metal with stoner doom riffery and post-rock grace. Kodok spends 42 minutes building a variety of sonic soundscapes that are immersive and absorbing. Stylistically, we’re in the territory of acts such as Pelican, Red Sparowes, Mountain Caller, Russian Circles, Bossk, and similar, at least as a rough starting point for Kodok. Continue reading “The Grey – Kodok (Review)”
Wonderbox Metal 