This is the latest EP from veteran UK grindcore band Napalm Death.
This mini-album consists of 29 minutes of material. The tracks are made up of recordings made during the sessions for the band’s last album – Throes of Joy in the Jaws of Defeatism – and is made up of six new songs and two covers. Continue reading “Napalm Death – Resentment Is Always Seismic – a Final Throw of Throes (Review)”
Apes are a grindcore/hardcore band from Canada and this is their latest EP.
I really liked 2017’s Lightless, and I can’t quite believe it’s been so long since it came out. Lullabies for Eternal Sleep is well-received by yours truly, and I hope there’s even more where this came from, lurking in some underground bunker somewhere, ready to explode into the world. Continue reading “Apes – Lullabies for Eternal Sleep (Review)”
Lock Up are an international grindcore band and this is their fifth album.
Lock Up contain members of bands such as Napalm Death, At the Gates, The Lurking Fear, Brujeria, Brutal Truth, Misery Index, and Pig Destroyer. Yep, here’s a band that have a lot of experience with extreme music. The Dregs of Hades is a ferocious collection of tracks that showcases the band members’ expertise well. Across 38 minutes we get Continue reading “Lock Up – The Dregs of Hades (Review)”
This is the fifth album from US grindcore band Full of Hell.
Full of Hell have always impressed. Both 2017’s Trumpeting Ecstasy and 2019’s Weeping Choir did exactly that, and now they have returned with 21 minutes of new material. So, what dark delights does Garden of Burning Apparitions bring us? Continue reading “Full of Hell – Garden of Burning Apparitions (Review)”
This is the latest EP from UK grindcore band Razoreater.
I like grind a lot, but there has been a distinct lack of it in 2021. At least, nothing that’s really crossed my path at any rate. In fact, I haven’t reviewed a single grindcore release this year, which is a shocking state of affairs. Time Continue reading “Razoreater – Purgatory (Review)”
This is the latest EP from To Dust, a deathgrind band from the US.
It’s been four long year’s since To Dust’s debut split with Bent Sea, so Nightmare Cycles is one I’ve been anticipating. With only an 11-minute duration in some ways it’s merely a taster to get the appetite whetted, but hopefully we won’t have to wait another 4 years for more material from the band. Continue reading “To Dust – Nightmare Cycles (Review)”
Bleeding Out are a Canadian deathgrind band and this is their debut album.
I like a bit of deathgrind, as it tends to be a melting pot of extremity that can sometimes have very engaging results, as it does with Lifelong Death Fantasy. Combining vicious grindcore with violent hardcore Continue reading “Bleeding Out – Lifelong Death Fantasy (Review)”
This is the latest EP from Sulaco, a grindcore band from the US.
Considering the band’s traditional extreme length between releases, we’re quite privileged, (ahem), to have The Privilege so soon after The Prize. Continue reading “Sulaco – The Privilege (Review)”
This is the debut album from Swedish grindcore band Grid.
I do like me some Swedish grind. Grid play merciless grindcore, with fiery blasts, punishing d-beats, and melodic crust all included in their aggressive formula. I very much liked 2017’s Human Collapse Syndrome, so I had high hopes for Livsleda, and it has not disappointed. Continue reading “Grid – Livsleda (Review)”
Henry Kane is a one-man deathgrind/crust band from Sweden, and this is his second album.
I do enjoy Henry Kane’s work. If you haven’t already, make sure you check out Den Förstörda Människans Rike and the split with Prolefeed. Brought to us by the man-of-a-million-bands Jonny Pettersson, (Ashcloud, Gods Forsaken, Heads for the Dead, Just Before Dawn, Ursinne, Wombbath, and many others), Age of the Idiot is a brutally sublime piece of extremity. Continue reading “Henry Kane – Age of the Idiot (Review)”
Wonderbox Metal 