Souskinner are a Greek death metal band and this is their fifth album.
Soulskinner are back! A band I really enjoy, (check out Crypts of Ancient Wisdom, Descent to Abaddon, and their split with Obsecration, Abyssus, and Malicious Silence), they have now returned with a new platter boasting 47 minutes of death metal and a brand new singer. Continue reading “Soulskinner – Seven Bowls of Wrath (Review)”
Of Feather and Bone are a death metal band from the US and this is their third album.
This is the follow up to 2018’s brutal Bestial Hymns of Perversion. Of Feather and Bone’s newest album digs deep into the past to produce a grim treasure trove of primal deathly delights. Continue reading “Of Feather and Bone – Sulfuric Disintegration (Review)”
This is the debut album from Cult Burial, a death/black/doom metal band from the UK.
After being a big fan of the band’s early work, expectations were high for Cult Burial. I have to say that they have been met, and this is a superlative album. Cult Burial play a hybrid form of blackened extreme metal, one which takes what it likes from black, death, and doom metal and then slaughters what’s left. Continue reading “Cult Burial – Cult Burial (Review)”
This is the debut EP from Belgian death metal band Malfested.
Malfested worship at the altar of 90s death metal, and they have clearly learned a thing or two from their observances. This 22-minute EP serves as a great introduction to their work. Continue reading “Malfested – Shallow Graves (Review)”
This is the debut album from Forlorn World, a death metal solo act from the UK.
Umbra contains 30 minutes of melodic death metal, brought to us by the vocalist/guitarist of Bloodshot Dawn, (with some guests as well). Continue reading “Forlorn World – Umbra (Review)”
This is the latest EP from Distant, a deathcore band from the Netherlands.
Sometimes you just want a hit of something thunderously heavy. 2019’s Tyrannotophia was one such hit, (more like a smash), so when Dawn of Corruption was unveiled, I knew I was in for a fresh beating. Continue reading “Distant – Dawn of Corruption (Review)”
Bleedskin are a Belgian death metal band and this is their debut album.
Bleedskin say they’re inspired by bands such as Cannibal Corpse, Abnormality, Behemoth, Dying Fetus, Benighted, and the like, and I’d certainly recommend Blood Reign for fans of these acts. Bleedskin’s songs are well-written, well-produced, and professionally delivered. Continue reading “Bleedskin – Blood Reign (Review)”
Lik are a Swedish death metal band and this is their third album.
Following on from 2018’s hugely enjoyable Carnage, Lik, (Featuring members of Witchery and Katatonia), now return with another 40 minutes of bloodsoaked material. Continue reading “Lik – Misanthropic Breed (Review)”
This is the second album from Belgian death metallers Carnation.
Having really enjoyed 2018’s Chapel of Abhorrence, it’s with high expectations that I turned to Where Death Lies. It turns out they the band have exceeded these expectations with ease. Continue reading “Carnation – Where Death Lies (Review)”
This is the debut album from US death/doom metallers Void Rot.
After enjoying Void Rot’s past work, I’ve been eagerly awaiting Descending Pillars. This is 38 minutes of malevolent death metal that’s been spiked and corrupted by dark doom foulness. Continue reading “Void Rot – Descending Pillars (Review)”
Wonderbox Metal 