This is the debut album from US death metal band Aberration.
Hot on the heels of January’s split with Diabolic Oath comes the hideous 42-minute Refracture. After that release, I was looking forward to hearing more from both bands, but I wasn’t expecting something so soon. Continue reading “Aberration – Refracture (Review)”
This is the fourth album from Swedish black metal band Dödsrit.
Whereas each of Dödsrit’s well-regarded previous albums, (including 2018’s top notch Spirit Crusher), contained four songs, Nocturnal Will breaks with tradition and delivers six tracks in total, (although to be fair one is a sub-minute interlude). Continue reading “Dödsrit – Nocturnal Will (Review)”
This is the second album from US death metallers Civerous.
We last met Civerous on their 2020 split with Stygian Obsession, so it’s great to be able to hear a full album from them. Brought to us by members of Aylwin and Tzompantli, Maze Envy contains 42 minutes of cavernous death that’s wrapped around doom and black metal elements. Continue reading “Civerous – Maze Envy (Review)”
This is the second album from Acathexis, an international black metal band.
Acathexis is given dark life by Jacob Buczarski(, the artist behind the amazing Mare Cognitum), the insanely prolific Déhà, (COAG, Cult of Erinyes, Silver Knife, Slow, We All Die (Laughing), and many others), and a singer from some bands I don’t know, (Dany Tee, from Los Males del Mundo and Seelenmord). Immerse may only have four songs, but with a total duration of 50 minutes, there’s a lot here to delve deeply into. The album is Well-named, and the songs are sprawling and immersive. Continue reading “Acathexis – Immerse (Review)”
This is the fifth album from international black metal band Order of Nosferat.
I was introduced only last year to Order of Nosferat on their split with Lunar Spells, and I fell for them hard. Given the chance to explore a full album of their vampiric black metal supremacy, how could I resist? Continue reading “Order of Nosferat – The Absence of Grace (Review)”
Mastiff are a hardcore/sludge metal band from the UK and this is their fourth album.
Both 2019’s Plague and 2021’s Leave Me the Ashes of the Earth were enjoyable slabs of ugly sludgy hardcore heaviness, so it’s great to have a new Mastiff album in our lives. Deprecipice contains 34 minutes of material, and sees Mastiff stepping up their game once more. Continue reading “Mastiff – Deprecipice (Review)”
Khold are a Norwegian black metal band and this is their eighth album.
Du Dømmes til Død contains 33 minutes of black metal that’s primitive and deadly. Khold’s latest release hits the spot nicely. Continue reading “Khold – Du Dømmes til Død (Review)”
This is the fourth album from US death metal band Brodequin.
Harbinger of Woe contains 32 minutes of furious brutal death metal. It’s the first album since 2004’s merciless Methods of Execution, and Brodequin are back to make up for lost time. Continue reading “Brodequin – Harbinger of Woe (Review)”
This is the fifth album from Italian death metallers Hideous Divinity.
I do enjoy Hideous Divinity‘s brand of technical brutality. 2014’s Cobra Verde, 2017’s Adveniens, and 2021’s LV-426 were all solid slabs of death metal muscle and intricate aggression, so it’s with expectation that we turn to Unextinct and its 51 minutes of new material. Continue reading “Hideous Divinity – Unextinct (Review)”
This is the third album from death/doom band Hamferð, who are from the Faroe Islands.
2018’s Támsins Likam is a tough album to follow. A long six years later, can Hamferð’s newest release – the 44-minute Men Guðs Hond er Sterk – match up to just how good its predecessor is? Continue reading “Hamferð – Men Guðs Hond er Sterk (Review)”
Wonderbox Metal 