This is the debut album from Shadow Legion, a progressive extreme metal band from the US.
Shadow Legion contains 68 minutes of music, and is brought to us by current/ex-members of bands such as Diabolic, Gigan, Hate Eternal, and Pyrrhon, among others. Continue reading “Shadow Legion – Shadow Legion (Review)”
This is the fourth album from Australian death metal band Werewolves.
Following quickly on the heels of last year’s From the Cave to the Grave, Werewolves have returned with My Enemies Look and Sound Like Me, which boasts 34 minutes of lean and muscular new material. Continue reading “Werewolves – My Enemies Look and Sound Like Me (Review)”
It’s a sold out show today at Manchester’s Rebellion, a venue I always like coming to. There’s a good atmosphere, and loads of quality bands to be had. What more could you want? Spoiler alert: today was an excellent day. Continue reading “Stormkeep/Winterfylleth/Saor/Ninkharsag/Arð/Nemorous/Cairns – Rebellion, Manchester – 05/08/23 (Live Review)”
This is the debut album Silverburn, a one-man metal/hardcore band from Wales.
Brought to us by an ex-member of Taint and Hark, Self Induced Transcendental Annihilation contains 31 minutes of heavy music that looks back in time for its inspiration, but delivers a slab of brutality wrapped in modern intensity. Continue reading “Silverburn – Self Induced Transcendental Annihilation (Review)”
This is the debut album from UK post-rock band Din of Celestial Birds.
The Night Is for Dreamers is a 45-minute instrumental post-rock album. While this would typically be something I’m not drawn to, I do like the style when done well, which is why Din of Celestial Birds make the cut. Continue reading “Din of Celestial Birds – The Night Is for Dreamers (Review)”
This is the debut album from UK post-metal band Mairu.
Sol Cultus brings together post-metal, sludge, and doom into a 49-minute feast of atmospheric heavy music. Mairu’s vision is a mood-rich immersive one, and Sol Cultus achieves their lofty ambitions. Continue reading “Mairu – Sol Cultus (Review)”
Ancient Torment and Haxen are both US black metal bands, and they have teamed up for this split release.
Ancient Torment, (who feature an ex-member of Abnormality), open the split, with two songs lasting 13 minutes in total. Continue reading “Ancient Torment/Haxen – The Howling Gale – Split (Review)”
Tangled Thoughts of Leaving are an Australian post-rock/metal band, and this is their fourth album.
Despite there being many great instrumental bands out there, I’m always put off listening to a band when there’s no vocalist. I’m well aware that this is my loss, but I can’t usually help it. However, there have certainly been many exceptions over the years to this, and Tangled Thoughts of Leaving are definitely one of them. Continue reading “Tangled Thoughts of Leaving – Oscillating Forest (Review)”
The Crawling are a death/doom band from Northern Ireland and this is their third album.
The promo blurb for this album recommends it for fans of Paradise Lost, Officium Triste, Evoken, and Sentenced, which gives a decent starting point for what sort of style The Crawling play. To this I’d also add touches of My Dying Bride and, from a Continue reading “The Crawling – All of This for Nothing (Review)”
Dusk Cult are an Australian black metal band and this is their second album.
Brought to us by members of Be’lakor and Rainshadow, Night Sky Revelations contains 43 minutes of enticing black metal. Dusk Cult have impressed with their brand of blackened extremity. Continue reading “Dusk Cult – Night Sky Revelations (Review)”
Wonderbox Metal 