Ufomammut are an Italian doom band and this is their tenth album.
I always really enjoy catching up with Ufomammut. 2015’s Ectate, 2017’s 8, and 2022’s Fenice were all stonkingly good records, so expectations are high for the 45-minute Hidden. And, as I would have hoped, expectations have been satisfied. Continue reading “Ufomammut – Hidden (Review)”
This is the second album from US death/doom band Tzompantli.
2022’s Tlazcaltiliztli was a record that I got a lot of enjoyment out of, so it’s great to see the return of Tzompantli once more. Beating the Drums of Ancestral Force contains 42 minutes of new material, and finds the band taking giant leaps forward in more than one way. Continue reading “Tzompantli – Beating the Drums of Ancestral Force (Review)”
Pathology are a death metal band from the US and this is their twelfth album.
2017’s Pathology, 2019’s Reborn to Kill, and 2021’s The Everlasting Plague all hit like trucks, with Pathology displaying an easy mastery of brutal death metal each time they erupted from the shadows to strike. This made me excited to experience the punishment that Unholy Descent had to offer. Continue reading “Pathology – Unholy Descent (Review)”
Downcross are a black metal band from Belarus and this is their sixth album.
White Tower contains 43 minutes of melodic black metal. It’s sharp and well-performed, and Downcross showcase what they’re capable of with attitude and force. Continue reading “Downcross – White Tower (Review)”
This is the third album from Ukrainian black metal band Sidus Atrum.
2022’s Spiral of Life made a strong impression on me, and I really enjoyed it. This makes Розірване Небо (Torn Sky) one I’ve definitely been looking forward to. On Torn Sky Sidus Atrum have expanded to a duo, bringing us 37 minutes of new music. Continue reading “Sidus Atrum – Розірване Небо (Torn Sky) (Review)”
This is the third album from French black metal act Jours Pâles.
Jours Pâles’ debut album Éclosion was a surprise hit of 2021 for me, and while 2022 follow up Tensions was a worthy successor, it was released too late in the year to impact upon list season. So, now we have 46 minutes of new material to work through on Dissolution, how have Jours Pâles fared this time around? Continue reading “Jours Pâles – Dissolution (Review)”
This is the debut album from US black/death metallers Primitive Warfare.
Extinction Protocol brims with 31 minutes of violent war metal aggression. Primitive Warfare are here to force the horrors of war right into your face, through your skull, and out the other side. Continue reading “Primitive Warfare – Extinction Protocol (Review)”
Sunnata are a Polish doom metal band and this is their fifth album.
Sunnata hugely impressed me with their 2021 album Burning in Heaven, Melting on Earth, which in hindsight I definitely should have included in that year’s best of list. Yes, Chasing Shadows has some big boots to fill, so let’s see what it has to offer. Continue reading “Sunnata – Chasing Shadows (Review)”
Devourer are a black/death metal band from Sweden and this is their fifth album.
Devourer immediately struck a chord with me on their 2017 album Across the Empty Plains. Since then, they have also produced 2019’s Dawn of Extinction and 2022’s Raptus, both quality records that continued to showcase Devourer as a force to be reckoned with. The band are now back with The Wicked Ones, and sound more focused than ever. Continue reading “Devourer – The Wicked Ones (Review)”
Svneatr are a Canadian black metal band and this is their third album.
Across six tracks Never Return delivers 40 minutes of progressive black metal. Taking a second wave base and building on it with contemporary influences and an array of additional musical layers, Svneatr’s music is impressive and moreish. Continue reading “Svneatr – Never Return (Review)”
Wonderbox Metal 