This is old-school metal played with obvious passion and a firm love of the early days of the style. Continue reading “Immortal Sÿnn – Machine Men (Review)”
2014’s .ismos. was a creative and novel album that took various aspects of avant-garde, experimental, and post-black metal and forged them into something quite enjoyable and satisfying. Continue reading “Orbseven – Cosmos out of Chaos (Review)”
Israthoum’s 2012 album Black Poison and Shared Wounds was a notable release, birthed from the underground with bile and venom. 2015’s Antru Kald cemented their position as a band to pay close attention to, and with this in mind we have now been rewarded with a third full length from this engaging entity. Continue reading “Israthoum – Channeling Death and Devil (Review)”
Arallu are one of the best bands that you’ve probably never heard of. Every release is better than the last, with the band’s newest album Six being the best of them all in my opinion. I’m listening to it right now as I type these words, and it’s hard to express just how enjoyable and discerning it is. It’s black metal, and contains a lot of the traditional ingredients you’d expect to find in black metal, but the way it’s all cooked up and spiced with Middle Eastern themes and influences…Arallu rule, it’s that simple.
So if you’re unfamiliar with the band, have a read of the below and check out the band’s masterful new album Six.
It was a great pleasure recently to see Deny the Urge return to the fray with their long overdue new album As Darkness Falls. Effectively reinventing themselves on one hand, while capturing the sound and spirit of the 90s Floridian scene on the other, the album is more than just a mere homage, and offers 48 minutes of ripping death metal barbarity and darkness.
I had the chance to quiz guitarist/vocalist Henrik Osterloh about the background to As Darkness Falls, and the many challenges and issues that the band has endured over the years… Continue reading “Interview with Deny the Urge”
Metalcore is a much maligned sub-genre, usually for good reason; there’s a lot of generic dross out there, sadly. However, if you’re looking for a ripping example of how to do metalcore right in 2017, your sights should immediately land on Shattered Sun. Continue reading “Shattered Sun – The Evolution of Anger (Review)”
Featuring members and ex-members of bands such as Faith No More and Slayer, there’s immediately a certain level of expectation with this, and it certainly doesn’t disappoint. Continue reading “Dead Cross – Dead Cross (Review)”
Nan Elmoth offer us a combination of US and European black metal, balancing a good mix of the traditional and modern styles. Think the blast and groove old-school Darkthrone template added to and enhanced by Continue reading “Nan Elmoth – Void Serpent (Review)”
With Momentum it’s tempting to think that you’ve heard it all before, but actually this is a slightly different take on modern heavy music in some ways. Ostensibly no different to a thousand other Continue reading “Vanora – Momentum (Review)”