This is a combination of electric Black Metal, sleek Post-Black Metal and ambient/avant-garde darkness. It’s an interesting combination and the resulting album is an exploration of state-of-the-art Blackness and atmospheric expression.
Darkened sounds and interesting effects enhance the tracks in a way that’s subtle enough to not steal any thunder from the main driving force of the guitars but has enough impact to be noticeable.
The songs are propelled by Blackened melodies and experimental sound structures, but there’s also enough Post-Black Metal wanderings to allow the room for shades of both light and dark. They’re well written, have great dynamics and are potent affairs.
.ismos. fosters an atmosphere that’s vaguely mechanistic but overtly malevolent and mysterious. Everything about this album from the music itself to the album cover deals in these mysteries and although there are no answers forthcoming the search for them is what’s important.
The vocals are a curious and varied affair. Multiple styles collide as spoken/distorted words, barely audible pseudo-ethereal sounds and subtle cleans all appear at various times during the tracks.
If you think along the lines of Dødheimsgard, Aborym, Red Harvest and Arcturus then you’ll have a good idea of the basic building blocks of the Orbseven sound. There’s even a couple of riffs here and there that wouldn’t sound out of place on a Mastodon album.
Orbseven is a creative and novel approach to what Black Metal should sound like in 2014. Taking the basic Black Metal template and building/distorting it is common enough, but the always interesting thing is where the band ends up once they have done this. In the case of Orbseven we end up with Experimental/Post-Black Metal that rolls smoothly out of the speakers.
A great effort – show your support.