This is the fifth album from German death metallers Cytotoxin.
2020’s Nuklearth was a very good album, so it’s great to have Cytotoxin back once more. Containing 48 minutes of new material, Biographyte offers a radioactive feast of death metal for us to savour and enjoy. It’s the band’s longest album, but fear not, Cytotoxin know what they’re doing. Continue reading “Cytotoxin – Biographyte (Review)”
This is the second album from US black/death metal band Tómarúm.
2022’s Ash in Realms of Stone Icons was a one of the best of the year, so anticipation has been high for the new one from Tómarúm. Will Beyond Obsidian Euphoria‘s 69 minutes have the same impact as its predecessor? Continue reading “Tómarúm – Beyond Obsidian Euphoria (Review)”
This is the seventh album from US death metallers Allegaeon.
I’ve thoroughly enjoyed all of the Allegaeon albums I’ve heard, (2016’s Proponent for Sentience, 2019’s Apoptosis, and 2022’s Damnum), and each has been better than the last. Now Allegaeon are back with the 46-minute The Ossuary Lens, (their shortest album so far), and have changed singer, with their their original vocalist returning to the fold. Let’s see what they have to offer us this time around. Continue reading “Allegaeon – The Ossuary Lens (Review)”
Celestial Scourge are a Norwegian death metal band and this is their debut album.
Featuring members of Blood Red Throne and Deception, Celestial Scourge are here to destroy. Observers of the Inevitable contains 30 minutes of brutal technical death metal, and it’s a raging mass of controlled savagery. Continue reading “Celestial Scourge – Observers of the Inevitable (Review)”
This is the debut album from Swedish death metallers Retromorphosis.
Well, this was an instantly enticing proposition. It’s death metal brought to us by ex-members of Spawn of Possession, (four out of five of Retromorphosis’ members), and an ex-member of Decrepit Birth, which is enough to get anyone’s notice. However, when you look at their collective history though, you realise just how much experience they bring to the table – Alkaloid, Blood Red Throne, Deeds of Flesh, Defeated Sanity, Eschaton, Obscura, Necrophagist, Visceral Bleeding, and many others. What a list! Considering this, expectations are high for Psalmus Mortis, perhaps unfairly so. Continue reading “Retromorphosis – Psalmus Mortis (Review)”
Obscura are a death metal band from Germany and this is their seventh album.
2018’s Diluvium was a feast of modern technicality, while 2021’s A Valediction offered a melodic refresh of the Obscura sound that so many had come to love. So what does A Sonication bring us in 2025? Continue reading “Obscura – A Sonication (Review)”
Necronos are a Mexican death metal band and this is their debut album.
Charred Tongue is a 33-minute death metal album bursting with chaotic aggression that’s been tempered by a keen sense of worldbuilding. Mixing atmospheric, progressive, technical, and dissonant death metal together with skilled ability, Necronos have crafted an album that showcases their talents well. Continue reading “Necronos – Charred Tongue (Review)”
This is the third album from US progressive extreme metal band Orgone.
Pleroma is a 65-minute multifaceted beast of a record that, loosely, can be described as progressive/technical death metal. Orgone flesh out their death metal base with technical expertise and progressive depth. Around this though they breach a range of other musical territories, including folk, jazz, classical, and progressive rock. Continue reading “Orgone – Pleroma (Review)”
Yes, it’s list season once more, so gather round and witness some of the best metal that 2024 had to offer!
2024 was a fantastic year for metal, and that’s an understatement. I thought 2023 was one of the weaker years for metal releases, overall. As such, putting last year’s list together, although challenging as it always is, was relatively effortless compared to this one. I don’t think I’ve agonised over placings more any other year. In the end, similar to last year, I just decided that enough was enough and I needed to just stop needlessly obsessing. Continue reading “Wonderbox Metal End of Year List – Best Metal of 2024”
This is the seventh album from German death metallers Defeated Sanity.
When it comes to brutal technicality, I think it is fair to say that Defeated Sanity are legends in death metal. Their music is mercilessly brutal, yet boasts a jazz-influenced technical delivery and a progressive edge that’s absorbing. Although an appropriate description of the band’s output, it also doesn’t do the music full justice. Besides this, each of Defeated Sanity’s albums have their own flavour and character too. Continue reading “Defeated Sanity – Chronicles of Lunacy (Review)”
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