This is the debut album from Italian blackened death metal band Patristic.
Brought to us by current/ex-members of Frostmoon Eclipse, Hideous Divinity, Hour of Penance, and Liber Null, Catechesis contains 41 minutes of intensity and violent moodbuilding. Continue reading “Patristic – Catechesis (Review)”
Nile are a US death metal band and this is their tenth album.
It has been a long five years since 2019’s Vile Nilotic Rites, which itself came four years after 2015’s What Should Not Be Unearthed. Suffice to say, Nile albums don’t come along very often, which makes The Underworld Awaits Us All a big deal in death metal circles. Continue reading “Nile – The Underworld Awaits Us All (Review)”
This is the debut album of German black metal band The Omega Swarm.
Brought to us by a member of Sulphur Aeon, Crimson Demise contains 41 minutes of hybrid death metal. The Omega Swarm throw a lot of ingredients into their recipe, resulting in a feast of atmospheric blackened death metal for listeners to chow down on. Continue reading “The Omega Swarm – Crimson Demise (Review)”
Sulphur Aeon are a German death metal band and this is their fourth album.
Long after 2015’s Gateway to the Antisphere and 2018’s The Scythe of Cosmic Chaos shook the death metal underworld, Sulphur Aeon returns to sow chaos and discord once again. A great slumbering monster awakens. Continue reading “Sulphur Aeon – Seven Crowns and Seven Seals (Review)”
Gravefields are an international death metal band and this is their third album, (second with this name).
I really enjoyed 2019’s Embrace the Void, so was pleased to see Tetragrammaton appear. Containing 49 minutes of new extreme metal material, this is a record that many a fan of death/black metal would do well to pay attention to. Continue reading “Gravefields – Tetragrammaton (Review)”
This is the debut album from international death metal band Jade.
I’ve loosely called this death metal in the introductory sentence above, but The Pacification of Death provides more than this. I suppose blackened atmospheric death metal is more accurate; Jade excel in crafting music that combines 80s/90s death/doom and mood-heavy black metal, resulting in a 40-minute album that is more notable than most. Continue reading “Jade – The Pacification of Death (Review)”
Gravefields are an international death metal band and this is their second album.
Previously known as Dirtyprotest, this band have now benefited from both a change of name and a change of sound. Whereas the band’s debut album – Hellstorm – was essentially a Swedish death metal affair, Embrace the Void is a wider-ranging beast. Continue reading “Gravefields – Embrace the Void (Review)”
December is always a tricky month, as generally the releases slow down in the run up to the new year. That doesn’t mean there were no notable releases during this time, however. Check out the outstanding metal albums below and let me know which your favourite is… Continue reading “Monthly Overview – the Best of December 2018”
Having considered it long and hard, I’ve decided that any form of introductory paragraph with any real substance would simply detract from the list below. As such, all I’ll say is that 2018, like every year, has given us some top quality metal releases. So have a look at my top picks for 2018, and hopefully you’ll find a new band to obsess over…
Continue reading “Wonderbox Metal End of Year List – Best Metal of 2018”
Sulphur Aeon are a German death metal band and this is their third album.
After the triumphant roar from the depths that was 2015’s Gateway to the Antisphere, (which I loved), this new one is greatly anticipated. It has not disappointed, either. Boasting another hypnotically engaging piece of artwork, the band are back and better than ever. Continue reading “Sulphur Aeon – The Scythe of Cosmic Chaos (Review)”
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