Svalbard are a crust/hardcore band from the UK and this is their fourth album.
This is one I’ve been quite eagerly awaiting. 2018’s It’s Hard to Have Hope was a very enjoyable record, but 2020’s When I Die, Will I Get Better? was the record that really put Svalbard on most people’s radars. Now the band have returned, with the 44-minute wonder that is The Weight of the Mask. Continue reading “Svalbard – The Weight of the Mask (Review)”
Deadly Carnage are a post-black metal band from Italy and this is their fifth album.
Following on from 2018’s Through the Void, Above the Suns, Deadly Carnage have now returned with 39 minutes of new material, and they have returned on fine form. Continue reading “Deadly Carnage – Endless Blue (Review)”
Tideless are a death/doom metal band from the US and this is their second album.
Eye of Water is a monster of an album, in more ways than one. Running to an imposing 75 minutes, Tideless spew forth five tracks of inhuman death/doom of an unexpected and idiosyncratic synth-enhanced nature. Continue reading “Tideless – Eye of Water (Review)”
This is the debut album from UK post-metal band Mairu.
Sol Cultus brings together post-metal, sludge, and doom into a 49-minute feast of atmospheric heavy music. Mairu’s vision is a mood-rich immersive one, and Sol Cultus achieves their lofty ambitions. Continue reading “Mairu – Sol Cultus (Review)”
This is the third album from US one-man post-metal band Breaths.
Having really enjoyed 2022’s Though Life Has Turned out Nothing Like I Imagined, It Is Far Better Than I Could Have Dreamt, I knew I wanted to check out what Flotuit had to offer. This new album might have a much shorter title, but has a lot longer duration at 65 minutes. Has this extra time been well spent? Continue reading “Breaths – Floruit (Review)”
Tigercub are a modern rock band from the UK and this is their third album.
I don’t often reach for rock, but when I do I typically want short songs, big hooks, and darker moods. Enter The Perfume of Decay. Across 41 minutes Tigercub tick all of these boxes and more, delivering exactly what I want from a contemporary rock band that has plenty of 90s influences thrown into their sound. Continue reading “Tigercub – The Perfume of Decay (Review)”
Witte Wieven are a black metal band from the Netherlands and this is their debut album.
Featuring a member of Freja, Dwaallicht contains 41 minutes of atmospheric black metal with post-rock, shoegaze, and doom elements. The new material lasts 32 minutes, and consists of the first five tracks. The remaining track is a live version of an older song, for some reason. Continue reading “Witte Wieven – Dwaallicht (Review)”
Altari are a black metal band from Iceland and this is their debut album.
Altari play a form of black metal that has an individual vision for the style. The band approach their art from an avant-garde/experimental point of view, and create music that very much has its own identity. Continue reading “Altari – Kröflueldar (Review)”
This is the debut album from UK/international alternative doom band Healthyliving.
Featuring a member of Ashenspire, Healthyliving play a doomy mixture of alternative rock and post-metal. Songs of Abundance, Psalms of Grief has a duration of 38 minutes, and showcases the band’s expressive talents well. Continue reading “Healthyliving – Songs of Abundance, Psalms of Grief (Review)”
Tempel Wolf are a black metal band from Switzerland and this is their debut release.
Tempel Wolf play atmospheric black metal, and on Hirschgeweihmaskeraden they deliver 32 minutes of material across this absorbing release. Continue reading “Tempel Wolf – Hirschgeweihmaskeraden (Review)”
Wonderbox Metal 