This is the third album from US progressive death metallers Rivers of Nihil.
Already an impressive and accomplished technical/progressive death metal proposition prior to this album, Where Owls Know My Name sees the band developing their sound even more than previously. Continue reading “Rivers of Nihil – Where Owls Know My Name (Review)”
Dreamarcher are a Norwegian metal band and this is their latest EP.
Dreamarcher’s 2016 self-titled debut album was notable for its atypical approach to emotive heavy music. It was an enjoyable album, and Harding is even more so.
The impressive musical skills of the jazz-trained band members are put to good use across these 18 minutes of non-standard delivery and passionate intensity. Continue reading “Dreamarcher – Harding (Review)”
Huntsmen are a US post-metal band and this is their debut album.
Huntsmen mix doom, stoner, and progressive American metal into their textured post-metal melting pot, resulting in 41 minutes of engaging material. Continue reading “Huntsmen – American Scrap (Review)”
Forming the Void are a progressive stoner/sludge metal band and Pyreship are a post-metal band, both are from the US.
Forming the Void open the split with a single six and a half minutes of pleasant and personable modern progressive stoner metal. Continue reading “Forming the Void/Pyreship – Split (Review)”
This is the third album from French progressive metal band Eryn Non Dae.
Has it really been 6 years since 2012’s Meliora was released? Admittedly I only discovered it in 2104, but still. Ye gods! Meliora was a hugely distinctive and individual release, one that made a strong impression with me and that I’ve enjoyed exploring and getting to know over the years. Continue reading “Eryn Non Dae – Abandon of the Self (Review)”
This is the second album from Belgian post-metallers Hemelbestormer.
Having enjoyed 2016’s Aether, listening to A Ring of Blue Light was a no-brainer really. On this second release Hemelbestormer’s atmospheric metal has not disappointed. Continue reading “Hemelbestormer – A Ring of Blue Light (Review)”
This is a collaboration between Japanese multi-instrumentalist Keiji Haino and US post-metal band SUMAC.
SUMAC feature an impressive calibre of members, (Isis, Baptists, Russian Circles), so it’s a real shame I’ve never encountered any of their work previous to this. Keiji Haino I’m even more unfamiliar with, but it seems he has built up a significant body of work and collaborative projects over time. Continue reading “Keiji Haino & SUMAC – American Dollar Bill – Keep Facing Sideways, You’re Too Hideous to Look at Face On (Review)”
Vexes are a US modern/post-metal band and this is their debut album.
Although Deftones are the obvious starting point for comparative purposes, elements of The Unguided, Poison the Well, Glassjaw, and Cave In can also be heard in the band’s sound, as well as some more atypical moments in the style of, perhaps, Norma Jean, Between the Buried and Me, and Isis. Feelings of the late 90s/early 00s are strong with this band, and from my point of view that’s no bad thing at all. Continue reading “Vexes – Ancient Geometry (Review)”
This is the debut album from US black metal band Eigenlicht.
Majestic and ethereal, esoteric and occult, expansive and exploratory…all of these words and many more can easily be used to describe the music on Self-Annihilating Consciousness. This is atmospheric black metal that truly is all of those things and so much more. Continue reading “Eigenlicht – Self-Annihilating Consciousness (Review)”
Erdve are from Lithuania and play blackened hardcore. This is their debut album. Continue reading “Erdve – Vaitojimas (Review)”
Wonderbox Metal 