This is the second album from Australian black metal act Spire.
Temple of Khronos offers a dark mix of atmospheric, progressive, and psychedelic black metal. It’s as if the classic style that we know and love has been mutated and warped into something even darker and more malefic. Continue reading “Spire – Temple of Khronos (Review)”
This is the fifth album from Austrian post-black metallers Harakiri for the Sky.
I always enjoy a new Harakiri for the Sky record. Both 2016’s III: Trauma and 2018’s Arson were first-rate albums from a first-rate band, and Mӕre is no different. Continue reading “Harakiri for the Sky – Mӕre (Review)”
This is the latest EP from Australian black metallers Atra Vetosus.
We haven’t heard from Atra Vetosus since 2018’s Apricity, so I’m happy to have a new release from them. On Even the Dawn No Longer Brings Hope the band mix elements of melodic, depressive, atmospheric, and post-black metal together into a very satisfying and well-crafted 23 minutes of material. Continue reading “Atra Vetosus – Even the Dawn No Longer Brings Hope (Review)”
New year, new metal. What did January have to offer? More than it usually does, it turns out. Let’s take a look at five of the best… Continue reading “Monthly Overview – the Best of January 2021”
This is the debut album from Starer, a one-man black metal band from the US.
Brought to us by a member of Bihargam, Starer is a different proposition from that band, and offers 45 minutes of modern darkness for the listener to become absorbed by. Continue reading “Starer – 18° Below the Horizon (Review)”
This is the second album from Romanian progressive/post-metallers Kultika.
I’ve been eagerly awaiting this ever since 2017’s Pursuance. I’ve had to wait longer than I expected for Capricorn Wolves, but it’s been worth the wait. Continue reading “Kultika – Capricorn Wolves (Review)”
This is the debut album from Sepulchre by the Sea, a one-man post-black metal band from the UK.
Sepulchre by the Sea’s music is a hybrid form of modern/traditional black metal, expressed in an atmospheric style and enhanced with elements of post-rock and blackgaze. This approach results in a sprawling post-black metal epic that unfolds across 58 minutes of evocative, well-written music. Continue reading “Sepulchre by the Sea – Conqueror Worm (Review)”
This is the second album from Déluge, a French post-black metal band.
This is the follow up to 2015’s striking Æther, which was a powerhouse of violence and atmosphere. Five years later, and the band are not the same beast anymore, not completely anyway. Ægo Templo takes the Continue reading “Déluge – Ægo Templo (Review)”
This is the debut album by Ba’al, a blackened post-metal band from the UK.
I last caught up with Ba’al on their debut release in 2017 – In Gallows by Mass – which showed a lot of potential. This appears to have now been fulfilled, albeit in a different way than I was initially expecting. Elipsism ably demonstrates how the band have Continue reading “Ba’al – Ellipsism (Review)”
Auðn are an Icelandic black metal band and this is their third album.
Auðn play atmospheric black metal, and I like what I hear here very much. Theirs is a form of music that’s rooted in classical atmospheric blackness, but is not limited to the second wave by any means. This is a very contemporary release, despite its Continue reading “Auðn – Vökudraumsins Fangi (Review)”
Wonderbox Metal 