This is the debut album from grindcore band Barren Path.
Basically brought to us by a mix of personnel from Gridlink and Maruta, Barren Path are here to remind everyone of just how potent grindcore can be when it’s in the right hands. With 12 tracks over 14 minutes, Grieving is a whirlwind of controlled chaos and devastation. Continue reading “Barren Path – Grieving (Review)”
This is the second album by US deathgrinders Caustic Wound.
Caustic Wound contain current/ex-members of Corpus Offal, Magrudergrind, Mortiferum, and Cerebral Rot,, and Grinding Mechanism of Torment is a 28-minute platter of old-school ferocity. Providing us with largely short bursts of death metal-infused grindcore, this is for fans of bands such as Brutal Truth, Carcass, Exhumed, Napalm Death, Repulsion, and Terrorizer. Continue reading “Caustic Wound – Grinding Mechanism of Torment (Review)”
This is the debut album from Italian grinders Horrid Human Condition.
Perpetual Imbalance contains 14 songs across 28 minutes. Horrid Human Condition waste little time in unleashing their mix of crust, punk, and grindcore. Only three tracks break the two-minute mark, so you know you’re in for an album of rage and violence. Continue reading “Horrid Human Condition – Perpetual Imbalance (Review)”
Lay Waste are a grindcore band from the US and this is their debut EP.
I’m going to try to listen to more grindcore this year. It’s a genre I love, but has been a bit thin on the ground for my tastes for the last few years. With that in mind, I randomly came across Lay Waste on Bandcamp, so here we are with my first new grind listening experience of 2025. Continue reading “Lay Waste – Savage Rebellion (Review)”
This is the debut album of Spanish grindcore band Deathcontrol.
Featuring an ex-member of Machetazo, Deathcontrol play a mix of old-school grindcore and experimental noisecore. The Endless Echo of His Own Litany contains 17 minutes of material, divided between the two styles; six grind songs, five noisecore tracks. Continue reading “Deathcontrol – The Endless Echo of His Own Litany (Review)”
Beaten to Death are a Norwegian grindcore band and this is their sixth album.
Beaten to Death are a well-regarded grindcore band that I’ve never listened to before now, but I’ve heard good things about for years. Branded as progressive/melodic grindcore, and stated as suitable for fans of Fuck the Facts, Gridlink, and Discordance Axis by the promo blurb, I knew I had to check this out. Continue reading “Beaten to Death – Sunrise over Rigor Mortis (Review)”
This is the fourth album from Ancst, a shapeshifting German metal band.
You’re never quite sure what you’re going to get from Ancst. Black metal, crust, hardcore, death metal, dark ambient – these are just genres to play with for the band, using and discarding styles and influences at will, depending on the needs of any given release or song. Which brings us to Culture of Brutality, a 35-minute, 20-track album that fuses deathgrind, metalcore, and hardcore into a monster of brutal heaviness. Continue reading “Ancst – Culture of Brutality (Review)”
This is the debut album from Slug Gore, an Italian grindcore band.
Fusing together death metal and grindcore into a gross deathgrind brew that stinks to high heaven, Slug Gore deliver 18 minutes of disgusting fight music on their debut album. Prepare yourself, as it’s about to get messy. Continue reading “Slug Gore – They Slime! They Ooze! They Kill! (Review)”
This is the debut album from Finnish grindcore band Sonic Poison.
I enjoyed Sonic Poison’s 2016 debut demo Harsh Demonstration, but missed out on the split and EP that the band released after this. It’s now time for their debut album though, and I was determined not to let this one slip by me too. Eruption is an appropriately titled 22-minute assault of vicious deathgrind. Prepare yourself for mayhem. Continue reading “Sonic Poison – Eruption (Review)”
This is the eighth album from US death metallers Origin.
It seems like Unparalleled Existence only came out a couple of years ago, but it was actually 2017. Time certainly flies. Still, at least Origin have now returned, bringing us the 46-minute beast that is Chaosmos. Continue reading “Origin – Chaosmos (Review)”
Wonderbox Metal 