This is the fifth album from German death metal band Temple of Dread.
It has been little over a year since Beyond Acheron, so I was not expecting a new Temple of Dread album again so soon at all. God of the Godless comes to us in the form of 42 minutes of new material, and it once again demonstrates why the band are so good at what they do. Continue reading “Temple of Dread – God of the Godless (Review)”
Keitzer are a German death metal/grindcore band and this is their eighth album.
Keitzer are always reliable at what they do. 2014’s The Last Defence, 2016’s Ascension, and 2019’s Where the Light Ends were all solidly enjoyable records, so it’s great to have the 41 minutes of Pandemonium Humanitas now with us. Continue reading “Keitzer – Pandemonium Humanitas (Review)”
This is the second album from US death metallers Coffin Rot.
2018’s Coffin Rot demo promised much, and then 2019’s A Monument to the Dead delivered. Well, it’s been five long years since then – has Dreams of the Disturbed been worth the wait? Continue reading “Coffin Rot – Dreams of the Disturbed (Review)”
Typhonian are a German death metal band and this is their second album.
The Gate of the Veiled Beyond contains 50 minutes of old-school death metal, but of a non-standard variety. It’s rooted firmly in 90s waters, but has also been expanded with blackened, atmospheric, and progressive influences; Typhonian may look backwards for inspiration, but they also look to the future with what they do with it. Continue reading “Typhonian – The Gate of the Veiled Beyond (Review)”
This is the latest EP from US death metallers Father Befouled.
I last caught up with Father Befouled on 2017’s Desolate Gods. Since then the band have released an EP, a live album, a split, and another album in 2022 called Crowned in Veneficium, none of which I heard at the time, unfortunately. This streak of missed opportunities to let the band crush me with their blasphemous brand of death metal ends now, with the 26-minute Immaculate Pain. Continue reading “Father Befouled – Immaculate Pain (Review)”
This is the second album from Spanish death metal band Sanctuarium.
Sanctuarium play rotten old death metal with a crushing dose of fetid doom. Melted and Decomposed contains 48 minutes of foul death/doom nastiness spread over five tracks. Continue reading “Sanctuarium – Melted and Decomposed (Review)”
Brutally Deceased are from Czechia, play death metal, and this is their fourth album.
I thoroughly enjoyed 2010’s Dead Lovers’ Guide and 2016’s Satanic Corpse, so it’s been a long wait for the 29 minutes of new music that Chasms brings us. Continue reading “Brutally Deceased – Chasms (Review)”
This is the debut EP from Ignobleth, an Italian black/death metal band.
Here’s we have a passionate slab of old-school darkness. Ignobleth play war metal brutality that’s grim and sinister. Voidspawn Sacrifice combines black and death metal – with a slight leaning towards the latter – into 15 enjoyable minutes. Continue reading “Ignobleth – Voidspawn Sacrifice (Review)”
Fulci are an Italian death metal band and this is their fourth album.
Fulci have made a name for themselves by combing classic old-school death metal with equally classic old-school horror soundtrack sounds, and in this specialist area they excel. Duck Face Killings continues with Fulci’s chosen artform, and delivers a bloodthirsty 33-minute death metal masterclass. Continue reading “Fulci – Duck Face Killings (Review)”
This is a split between Draghkar and Helcaraxë, both death metal bands from the US.
I missed this earlier in the year, but here it is now, and you’d better believe it’s worth your time to give it a few spins. I’m a big fan of Draghkar, so I couldn’t let this slide by without comment, (make sure you check out World Unraveled, split with Desekryptor, The Endless Howling Abyss, and At the Crossroads of Infinity). On this split with Helcaraxë both bands offer up one song. Continue reading “Draghkar/Helcaraxë – A Glorious Call in the Terrible Darkness – Split (Review)”
Wonderbox Metal 