Skies in Motion – Life Lessons (Review)

Skies in MotionSkies in Motion are a UK modern hardcore/metal band and this is their debut album.

Combining raging intensity with heartfelt emotion, this is modern metalcore played with passion and skill. Continue reading “Skies in Motion – Life Lessons (Review)”

Hundred Suns – The Prestaliis (Review)

Hundred SunsHundred Suns are an emotive metal band from the US and this is their debut album.

Featuring an ex-member of Every Time I Die and the singer of Normal Jean, it was a complete no-brainer for me to listen to this as soon as I could once I was made aware of it. Thankfully,  I haven’t been disappointed with their very enjoyable brand of modern progressive/alternative metal. Continue reading “Hundred Suns – The Prestaliis (Review)”

American Standards – Anti-Melody (Review)

American StandardsAmerican Standards are a US hardcore band and this is their second album.

Here’s a band we’ve met before, and they impressed when we did. The Death of Rhythm and Blues stood out with its aggressive, angular hardcore. Continue reading “American Standards – Anti-Melody (Review)”

Gnarwolf – II (Review)

GnarwolfGnarwolf are a US hardcore band and this is their latest EP.

You’ve gotta like this kind of thing; less than 14 minutes of angular, chaotic hardcore. The band play it well and make one Hell of a noise. What’s not to like? Continue reading “Gnarwolf – II (Review)”

Remote – Resilient (Review)

RemoteRemote are a French hardcore band and this is their second album.

You’ve gotta love dark, violent music that creates oppressive, negative atmospheres. Yes? Oh come on, of course you do.

Combing chaotic hardcore, crushing sludge, dark metal and inventive post-hardcore, Remote present us with 33 minutes of angst-ridden darkness that aims to cause damage. Continue reading “Remote – Resilient (Review)”

Above the North – A Tale They Whisper (Review)

Above the NorthAbove the North are a Hardcore band from France. This is their latest EP.

It starts off with melodic riffs that have a firm edge to them whilst serrated vocals scream out over the top. This is the kind of emotive Hardcore that’s easy to connect with if you like the style as it’s instantly engaging yet with a depth to it that bears repeated visits.

Some of the guitar parts and riffs even have a Post-Hardcore feel to them and have a resplendent sheen. The solid sound that the band have shows these guitars off to their full potential and the band sound immense.

Imagine a more traditionally structured Norma Jean, or From Autumn to Ashes minus the clean vocals, or a less abrasive/Metal Zao…Above the North have a lot of talent it seems, as these four songs ably showcase.

Alongside recent Hardcore releases such as Muck and The Black Lantern, Above the North show that you can play Hardcore that has bite without going the massively heavy/angry route that much of Hardcore does.

These songs have a thoughtful, introspective aura to them yet still have energy and passion in spades.

Very impressive. If they can keep up this level of songwriting for the future then their début album will be a thing of beauty.

Check them out.

Blame Kandinsky – Pink Noise Motel (Review)

Blame KandinskyBlame Kandinsky are from Greece and this is their debut EP. They play chaotic Hardcore.

This is angular Hardcore in the style of The Dillinger Escape Plan, Every Time I Die, Norma Jean, et al. They play their chosen brand of mayhem with pride and skill, peeling off riff after riff of controlled chaos and deliberate discord.

These songs have a passionate energy to them that’s an essential part of any band that plays this style.

Thankfully, Blame Kandinsky are more than just a few hastily slapped together riffs as that can easily become dull; they know the importance of following riffs through to their natural conclusion and of creating atmosphere, no matter how fleeting or obscured by chaotic frenzy.

The singer has a charismatic voice that’s somewhat of a scream-ier version of the Every Time I Die singer’s style.

It’s always good to hear this kind of music, especially when delivered with obvious passion and ability.

These five songs, (and one pointless intro), showcase a talented band who have developed their sound into a force to be reckoned with already. If they can build on these strong foundations and continue to develop their individuality then their eventual album should be a stunner.

Highly recommended.

Favourite Track: Nascency.Admittance.Guilt.Rebirth. Some top quality riffing and vocal patterns combined with some Converge-esque atmospherics mean this song is a firm favourite of mine.

Bettyœtker – Barricades (Review)

BettyœtkerBettyœtker are from Germany and play Hardcore.

I have to say I like the cover, so that’s a good start.

The music itself is well recorded with a sound that accentuates the emotive nature of the band.

Angular riffs and chuggy, expressive guitars chop and change their way through the playing time. This would have been at home in the late 90’s/early 00’s Metallic Hardcore scene which spawned the likes of Botch, Zao, Norma Jean, Poison the Well, Nora, etc.

The songs here are wonderfully constructed and boast lots of ideas and interesting riffs to keep the listener hooked.

The singer performs with great gusto and has a voice that’s somewhere between a shout and a scream. He complements and suits the songs well and provides a warmer human side to the band; the music is emotive in its own right of course, but it has a cold, harsh edge to it that the vocals compensate for. Taken together these tracks are dangerously addictive.

This is a class EP full of the kind of meaty Hardcore Metal that’s in much shorter supply these days than it once was.

They’ve made a fan of me and I can’t wait for a full album now. Bettyœtker are here to stay.