Blood Worship – Death’s Omnipotence (Review)

Blood WorshipThis is the debut EP from Swedish black metal band Blood Worship.

Here we have 21 minutes of cold, venomous black metal. The promo blurb says that it’s for fans of Dissection, Naglfar, Marduk, and Satyricon, and it’s hard to disagree with that assessment. I’d also throw in a bit of A Grand Declaration of War-era Mayhem regarding some of the band’s riffs too, although this is largely a more minor aspect of their sound. Continue reading “Blood Worship – Death’s Omnipotence (Review)”

Dimmu Borgir – Eonian (Review)

Dimmu BorgirDimmu Borgir are a symphonic black metal band from Norway and this is their ninth album, (unless you count the rerecorded version of Stormblåst).

So, Dimmu Borgir have returned, a band that will likely need little introduction. Is this a case of more of the same, or do they offer something a bit different on their latest album? The truth lies somewhere in between.

Although the classic building Continue reading “Dimmu Borgir – Eonian (Review)”

Vreid – Sólverv (Review)

VreidVreid are a Black Metal band from Norway and this is their seventh album.

Vreid play Melodic Black Metal that’s sharp and fast. They specialise in colourful, rich melodies that run through the Blackened music like a stream cutting through a mountain.

Vreid originally arose after the end of Windir, a band that I always loved. For some reason, I never got around to checking out Vreid before now, (partially through laziness/lack of opportunity, and partially as Windir were so damn good that it almost didn’t seem worth it. Odd reasoning I know…), and I sincerely regret this, as Sólverv, (and presumably the rest of their work), effectively carries on the spirit of what Windir were about. Oh how I’ve missed these elegant and distinctive atmospheric melodies! There’s a lesson here folks – always check out that band who, for whatever reason, you haven’t had the time or inclination to.

The rhythm guitars are full of energy and play with speed and groove with equal relish. The leads are frequent and highly textured, giving the band a superbly atmosphered collection of songs that are highly emotive and engaging. Subtle keyboards further enhance the tracks where necessary, adding another layer of feeling.

These songs are atmospheric in ways that it’s hard to express. It’s like the guitars have plugged into a primal wellspring of Blackened mood and ambience, lost since the rise of second wave Black Metal and found and kept safe by the band for their own special ministrations.

Of course it’s not all about the guitars, although these are a defining point of the music. The other instruments and the singer play their parts too. The bass and drums provide a framework for the guitars to work their magic, while the singer’s rasping screech adds a serrated edge to the flowing, melodic music.

It is with great regret that I mourn the lost years where I had the chance to follow up on the mighty Windir’s legacy and failed to do so. More fool me. From now on, Sólverv will be on heavy rotation.

Heartily recommended.