Castrator are an international/US death metal band and this is their second album.
Containing a member of Gruesome, Castrator play ferocious death metal, and they mean business. Coronation of the Grotesque is a 33-minute whirlwind of devastation, (37 minutes with the bonus track – an Exodus cover). Continue reading “Castrator – Coronation of the Grotesque (Review)”
This is the latest EP by Swedish death metallers Grand Cadaver.
Both 2021’s Into the Maw of Death and 2023’s Deities of Deathlike Sleep were quality excursions into Swedish death metal waters, so it’s great to see Grand Cadaver back with this 16-minute EP. Continue reading “Grand Cadaver – The Rot Beneath (Review)”
This is the third album from US black metal solo act Blackbraid.
Following on from 2022’s Blackbraid I and 2023’s Blackbraid II, Blackbraid III contains 52 minutes of music, (including a Lord Belial cover), and continues to meet the benchmark of high quality black metal that its predecessors set. Continue reading “Blackbraid – Blackbraid III (Review)”
Psycroptic, Ghost Bath, and Underdark were originally part of a larger event, (with a pretty damn sexy lineup), that got cancelled for reasons unknown. In its place is this very enticing show, with only these three bands surviving the cut. It was a relatively late change, with the tickets not transferring, so I was hoping that this new event would have sold enough tickets in its own right to have a decent-sized crowd for the bands. Regardless of the turnout, I’ve been looking forward to this, Psycroptic especially, as I’ve never seen them and they’re one of the best tech death bands in existence. Continue reading “Psycroptic/Ghost Bath/Underdark – Rebellion, Manchester – 02/08/25 (Live Review)”
This is the second album by Irish blackened death metallers Malthusian.
2018’s Across Deaths was a nightmarish, venomous first record from Malthusian, ably showcasing their hideous blackened death metal style. In 2022 we were gifted with Time’s Withering Shadow, their split with Suffering Hour, which was another impressive outing, for both bands concerned. Which brings us to the 54-minute The Summoning Bell. Have Malthusian continued their ascent from the bowels of the underworld? Continue reading “Malthusian – The Summoning Bell (Review)”
This is the second album from US death metal band Haxprocess.
Beyond What Eyes Can See contains 45 minutes of music divided into four epic songs. Haxprocess play progressive death metal, although that simple appellation doesn’t really due justice to what you’ll discover here. This record is a real beast. Continue reading “Haxprocess – Beyond What Eyes Can See (Review)”
Offal Fest is a three-day festival of ultra-brutal death metal carnage. It consists of two main days, with a pre-show. Originally I was meant to attend both the Saturday and the Sunday, but much to my chagrin life got in the way, and instead the final four bands of the Sunday are all that I can manage, (I’m particularly gutted about missing Skinless). It’s time to make the most of it though, as I can still see some cracking bands, and I’ve been looking forward to it. Continue reading “Offal Fest – Sunday Evening – Defeated Sanity/Wormed/Indecent Excision/Iniquitous Savagery – Manchester Rebellion, 27/07/25 (Live Review)”
This is the second album from UK black metallers Sea Mosquito.
Majestas contains 44 minutes of esoteric black metal. As a rough starting point, think of a compelling mix of bands such as Aara, Blut Aus Nord, Inherits the Void, Deathspell Omega, Labyrinthus Stellarum, Mare Cognitum, Selbst, and Vorga, although Sea Mosquito do offer up an experience that’s their own. Continue reading “Sea Mosquito – Majestas (Review)”
This is the debut album from UK black metallers Praesider.
Enter the Praesidium contains 48 minutes of old-school symphonic black metal. Praesider’s music evokes such a strong sense of nostalgia in me for the 90s that it’s almost overwhelming. Make no mistake though, Praesider are a skilled bunch and know their subject matter inside out. Continue reading “Praesider – Enter the Praesidium (Review)”
This is the debut album from US black metal band Vakker.
I only encountered What Will Become of Our Pain due to a random social media recommendation, and I’m very glad I did. Vakker play atmospheric black metal, only with the sort of horrific, monstrous vocals that you wouldn’t normally associate with the style. Continue reading “Vakker – What Will Become of Our Pain (Review)”
Wonderbox Metal 