This is the sixth album from Finnish black metallers …And Oceans.
…And Oceans play symphonic black metal, and As in Gardens, so in Tombs provides us with 50 minutes of sharp, professional music, (58 minutes with the bonus tracks). It’s redolent with second wave symphonic splendour, and this is an album that really exemplifies the style. Are you ready for a slice of pure black metal mastery? Continue reading “…And Oceans – As in Gardens, so in Tombs (Review)”
This is the fourth album from US black metal act Ashen Horde.
Ashen Horde boast current and ex-members of bands such as Abhoria, Norse, Somnium Nox, Inferi, Equipoise, and Virulent Depravity in their ranks, and we’ve met them before on Nine Plagues and The Alchemist. Now they’re back with Antimony, a 51-minute vision of gripping extreme metal, (49 minutes without the bonus Therapy? cover). Continue reading “Ashen Horde – Antimony (Review)”
This is the debut album from Finnish grindcore band Sonic Poison.
I enjoyed Sonic Poison’s 2016 debut demo Harsh Demonstration, but missed out on the split and EP that the band released after this. It’s now time for their debut album though, and I was determined not to let this one slip by me too. Eruption is an appropriately titled 22-minute assault of vicious deathgrind. Prepare yourself for mayhem. Continue reading “Sonic Poison – Eruption (Review)”
This is the debut album from German doom metal band Daevar.
With a promo blurb that states this is for fans of bands like Windhand, Monolord, Black Sabbath, Sleep, and Paradise Lost, Delirious Rites delivers 33 minutes of hypnotic gloom for the listener to get lost in. Continue reading “Daevar – Delirious Rites (Review)”
Dust Prophet are a US doom/stoner band from the US and this is their debut album.
One Last Look upon the Sky delivers 54 minutes of charismatic music. A sandy mix of stoner, doom, psychedelic, and progressive rock/metal, Dust Prophet provide the listener with a warm and gritty example of the style. Continue reading “Dust Prophet – One Last Look upon the Sky (Review)”
Vahrzaw are an Australian black metal band and this is their fifth album.
Having enjoyed 2014’s Twin Suns & Wolves’ Tongues, 2018’s Husk, and 2021’s The Trembling Voices of Conquered Men, I was always going to have to check out the new Vahrzaw album. Continue reading “Vahrzaw – In the Shallows of a Starlit Lake (Review)”
Raum Kingdom are a sludge/post-metal band from Ireland and this is their second album.
I haven’t caught up with Raum Kingdom since their self-titled 2014 debut EP, so I thought it was overdue that I revisited their work. Monarch contains 43 minutes of sludgy post-metal, and reveals a band that are confident and capable in their chosen genre. Continue reading “Raum Kingdom – Monarch (Review)”
Suasion are a Belgian modern metal band this is their second album.
Suasion’s music is a modern brand of metal that has electronic, ambient, and orchestral enhancements, alongside influences from metalcore, alternative metal, progressive rock, djent, pop, and industrial. A lot has gone into the making of The Infinite, and the band’s ambition is well-realised. Continue reading “Suasion – The Infinite (Review)”
This is the second album from Glyph, a one-man black metal band from the US.
We turn now to solo act Glyph for a 37-minute trip into a black metal underworld that’s a work of individuality and obvious passion. There’s a special sort of mysterious, esoteric magic that surrounds The Time of Peril, one that’s quite intoxicating to delve into. Continue reading “Glyph – The Time of Peril (Review)”
This is the fifth album from US metal band Oozing Wound.
Following on from 2019’s High Anxiety, We Cater to Cowards contains 41 minutes of new material. However, this is not the same band we encountered on High Anxiety. Continue reading “Oozing Wound – We Cater to Cowards (Review)”
Wonderbox Metal 