MNHG – Mundare (Review)

MNHG - MundareThis is the debut album from German black metallers MNHG.

I confess that anything with the black ‘n’ roll tag I usually let pass me by, but after a brief sampling of the material here I felt compelled to dive deeper, and here we are.

So, what did I find upon entering MNHG’s world? ALL OF THE RIFFS!!! Continue reading “MNHG – Mundare (Review)”

Culted – Nous (Review)

Culted - NousCulted are an international blackened doom band and this is their third album.

It has been many years since 2014’s Oblique to All Paths, although we were gifted with an EP in 2019 – Vespertina Synaxis – A Prayer for Union & EmptinessNous contains 64 minutes of new, apocalyptic material, which Continue reading “Culted – Nous (Review)”

Hænesy – Garabontzia (Review)

Hænesy - GarabontziaThis is the second album from Hungarian post-black metal band Hænesy.

Having followed Hænesy from their debut album Katruzsa in 2018 to their 2019 split with Moondweller, I was keen to hear some new material from the band. Enter Garabontzia, which contains 44 minutes of the stuff. Continue reading “Hænesy – Garabontzia (Review)”

Jours Pâles – Éclosion (Review)

Jours Pâles - ÉclosionThis is the debut album from French post-black metallers Jours Pâles.

Jours Pâles have an interesting and in some ways non-standard sound. Not because they’re especially avant-garde or experimental, but because of the way that they combine a few different ingredients from different musical brews into something of their own making. Continue reading “Jours Pâles – Éclosion (Review)”

Sunnata – Burning in Heaven, Melting on Earth (Review)

Sunnata - Burning in Heaven, Melting on EarthSunnata are a Polish doom metal band and this is their fourth album.

Sunnata play a form of doom metal that has ritualistic elements, manifesting in a tendency for repetition and hypnotic grooves. Despite this, the band know how to write a good tune, surprisingly so really; some of Continue reading “Sunnata – Burning in Heaven, Melting on Earth (Review)”

Ominous Ruin – Amidst Voices That Echo in Stone (Review)

Ominous Ruin - Amidst Voices That Echo in StoneThis is the debut album from Ominous Ruin, a death metal band from the US.

Featuring an ex-member of Inanimate Existence and session drums from the drummer of Fallujah, Amidst Voices That Echo in Stone contains 45 minutes of brutal technical death metal. Continue reading “Ominous Ruin – Amidst Voices That Echo in Stone (Review)”

Iotunn – Access All Worlds (Review)

Iotunn - Access All WorldsIotunn are a progressive metal band from Denmark, and this is their debut album.

Full disclosure – when I saw that this band is fronted by the singer of Barren Earth and Hamferð, I got quite excited and it immediately made me hungry to listen to their album. The man has one of my favourite voices in metal, and on Access All Worlds, he puts it to damn fine use. Continue reading “Iotunn – Access All Worlds (Review)”

Aylwin – The Arch Holder (Review)

Aylwin - The Arch HolderThis is the debut album from US black metallers Aylwin.

Here we have a single 30-minute track that’s a mix of atmospheric and post-black metal. The track is a nature-influenced apocalyptic soundscape that combines elements from the Cascadian style of black metal with mournful post-metallic aspects. Continue reading “Aylwin – The Arch Holder (Review)”

Deconsecration/Re-Buried – Split (Review)

Deconsecration Re-Buried - SplitDeconsecration and Re-Buried are both US death metal bands, and this split is their collective non-demo debut release.

Deconsecration get the ball rolling, with 4 songs in a meaty 18 minutes. Continue reading “Deconsecration/Re-Buried – Split (Review)”

The Lylat Continuum – Ephemeral (Review)

The Lylat Continuum - EphemeralThe Lylat Continuum are a progressive death metal band from the US and this is their debut album.

Ephemeral is a 56-minute trip into progressive death metal waters, although the death metal influences are not always prominently displayed; the band’s modern progressive metal influences are Continue reading “The Lylat Continuum – Ephemeral (Review)”