This is the second album from Canadian/Finnish heavy metallers Smoulder.
Featuring seven tracks running 42 minutes in length, Violent Creed of Vengeance is a thoroughly enjoyable slab of epic heavy metal. Break out the swords and get ready for adventure! Continue reading “Smoulder – Violent Creed of Vengeance (Review)”
This is the second album from Dawn of Ouroboros, a progressive black/death metal band from the US.
Following on from 2020’s well-received The Art of Morphology, Velvet Incandescence brings us 46 minutes of new material from Dawn of Ouroboros, who feature members of Botanist and Cailleach Calling. Continue reading “Dawn of Ouroboros – Velvet Incandescence (Review)”
Blood Star are a heavy metal band from the US and this is their debut album.
Featuring a member of Visigoth, First Sighting provides us with a 33-minute journey into the past. First Sighting is a well-written slab of traditional heavy metal. The band ply their trade with passion and obvious skill, and the Continue reading “Blood Star – First Sighting (Review)”
This is the debut album from Belgian sludge/post-metal band Predatory Void.
Featuring current and ex-members of Amenra, Carnation, Living Gate, Cobra the Impaler, Oathbreaker, and Aborted, Seven Keys to the Discomfort of Being is a 43-minute multifaceted trip into extreme metal darkness. Continue reading “Predatory Void – Seven Keys to the Discomfort of Being (Review)”
This is the third album from German death metal band Infecting the Swarm.
(Deep breath…)
BRUTAL!
DEATH!
METARRRGGHHHH!
Now, here’s an album I have been looking forward to. Both Continue reading “Infecting the Swarm – Pulsing Coalescence (Review)”
This is the second album from UK alternative/melodic metal band As Everything Unfolds.
Ultraviolet contains 36 minutes of modern metal that blends together elements of alternative rock, post-hardcore, metalcore, and nu-metal, into an enjoyable and charismatic record. Continue reading “As Everything Unfolds – Ultraviolet (Review)”
Orme are a doom/drone band from the UK and this is their debut album.
Orme, (featuring a member of Everest Queen), play long-form droning doom, and on their debut album they haven’t held back. Orme only has two tracks, but there’s still 96 minutes of music here. Nazarene is 42 minutes long and Onward to Sarnath is 54 minutes long. Either one of these would have sufficed as the band’s debut album, but apparently Orme don’t do things by halves. Continue reading “Orme – Orme (Review)”
This is the sixth album from avant-garde black metal band Dødheimsgard.
Black Medium Current contains 70 minutes of material, which is, I confess, a rather bland way of introducing such a superlative record. It’s hard to know where to start with an album like this though, as there’s just so much to explore here, and it’s all so very high in quality. Continue reading “Dødheimsgard – Black Medium Current (Review)”
This is the debut album from Polish post-black metal band Cursebinder.
Featuring the vocalist of Dormant Ordeal, (and also ex-Moanaa), Cursebinder play black metal that contains elements of doom, blackgaze, post-rock, and progressive metal. Continue reading “Cursebinder – Drifting (Review)”
This is the second album from Ὁπλίτης (otherwise known as Hoplites), a one-man post-black metal band from China.
Well this is unexpected. Having only unleashed the stunning Ψευδομένη on an unsuspecting world in January, we now get the equally unexpected Τρωθησομένη – 38 minutes of tasty new material from the very talented, (and apparently very prolific), artist behind Ὁπλίτης, (as well as Vitriolic Sage). Continue reading “Ὁπλίτης (Hoplites) – Τρωθησομένη (Review)”
Wonderbox Metal 