Grief Ritual are hardcore band from the UK and this is their debut album.
Collapse features 40 minutes of raging hybrid hardcore. It’s fierce, unforgiving, and colossally heavy. Grief Ritual are here to punish the listener, so prepare yourself for a pummelling. Continue reading “Grief Ritual – Collapse (Review)”
I’ve never seen Alcest before, so this was a great opportunity to remedy that, especially as the wonderful Svalbard were also playing. Doodseskader too, but I don’t really know them. Continue reading “Alcest/Svalbard/Doodseskader – Academy 2, Manchester – 12/12/24 (Live Review)”
This is the fifth album from UK industrial black metal band An Axis of Perdition.
Apertures contains 48 minutes of malignant dark terror. It’s an industrial black metal vehicle for extradimensional horror that uses the listener’s mind against them. Enter into the world of An Axis of Perdition at your peril. Continue reading “An Axis of Perdition – Apertures (Review)”
This is the ninth album from US experimental sludge band The Body.
The Body are an always intriguing and shapeshifting band. Whether it’s their albums, (such as No One Deserves Happiness, I Have Fought Against It, but I Can’t Any Longer, or I’ve Seen All I Need to See), or their collaborations, (such as Ascending a Mountain of Heavy Light with Full of Hell Everything That Dies Someday Comes Back with Uniform), The Body always produce something worth hearing. Continue reading “The Body – The Crying out of Things (Review)”
This is the second album from Greek experimental/post-metal band Spineless.
Dysphonia is a record that blends a few different influences together. Post-metal, doom, post-rock, electronica, and industrial influences are all used in service of the music’s goals; the crafting of experimental soundscapes that paint striking pictures for the listener to explore. Continue reading “Spineless – Dysphonia (Review)”
This is the fourth album by Danish metallic hardcore band LIfesick.
I enjoyed Lifesick when I saw them earlier this year supporting Cabal, so knew I wanted to check out the 34 minutes of Loved by None, Hated by All when it appeared. Continue reading “Lifesick – Loved by None, Hated by All (Review)”
This is the fifth album from Polish experimental metal band Thaw.
It’s been more than a while since 2017’s Grains, so I was intrigued to see what Thaw have to offer in 2024. An experimental act, who have operated in black metal, sludge, doom, drone, ambient, and noise waters across their career, what does Fading Backwards and its 36 minutes of new material bring us? Continue reading “Thaw – Fading Backwards (Review)”
This is the third album from Finnish death metallers Concrete Winds.
Concrete Winds is a 25-minute monstrosity that bleeds violence from every infected pore. It’s abrasive and hateful, yet carries with it more depth and substance than you’d probably expect; Concrete Winds seem to know what they’re doing. Continue reading “Concrete Winds – Concrete Winds (Review)”
Uniform are an industrial band from the US and this is their fifth album.
Ever since discovering Uniform on their 2018 album The Long Walk I’ve looked forward to every subsequent release. Whether it’s their collaborations with The Body in 2019, (Everything That Dies Someday Comes Back), or Boris in 2023, (Bright New Disease), or their most recent full length in 2020 Shame, Uniform always produce music that’s worth exploring. All of which is to say that American Standard is hotly anticipated. Continue reading “Uniform – American Standard (Review)”
This is the debut album from Simone Simons, a symphonic metal artist from the Netherlands.
I’ve always had a healthy respect for Epica, and for the vocals of their talented singer Simone Simons, so when Vermillion appeared, it only made sense to check it out. I’m so glad I did. Continue reading “Simone Simons – Vermillion (Review)”
Wonderbox Metal 