Leeched Leeched are a hardcore band from the UK and this is their debut album.
Leeched play violent, aggressive hardcore that’s shot-through with punk, crust, grind, and powerviolence influences. Continue reading “Leeched – You Took the Sun When You Left (Review)”
Soul Attrition is a one man post-rock band from the US and this is his debut album.
The man behind this band also plays in the wonderfully alternative/sludgy Escape Is Not Freedom, so I knew I had to give this one a listen. Continue reading “Soul Attrition – Vashon Rain (Review)”
Gnaw Their Tongues and Crowhurst are both one man projects. The former is from the Netherlands and the latter is from the US. Both specialise in experimental/black metal music, and they have collaborated for this release. Continue reading “Gnaw Their Tongues & Crowhurst – Burning Ad Infinitum: A Collaboration (Review)”
Abjection Ritual are a US industrial doom band and this is their third album.
With an enigmatic, yet enticing album cover, this release drew me in like a moth to a flame. With a few varying and slightly contradictory descriptions of what was contained on this release, I wasn’t quite sure what to expect before pressing play, but knew this was something I wanted to explore. What I found was an unexpected and engaging album. Continue reading “Abjection Ritual – Soul of Ruin, Body of Filth (Review)”
Kontagion are an industrial metal band from Poland and this is their latest EP.
Was it really 2015 that [R-!-E]lentless was released? Crikey. How time flies. Well, here we have a new 20 minutes of material from this industrial metal troupe that features a member of Unborn Suffer. Continue reading “Kontagion – KO[R-!-E] (Review)”
Harm’s Way are a metalcore band from the US. This is their fourth album.
Here we have 34 minutes of metallic hardcore, full of spitting anger and beefy riffs. Continue reading “Harm’s Way – Posthuman (Review)”
Godflesh are a UK industrial post-metal band and this is their eighth album.
Combining rumbling industrialised dub beats with heavy guitars and no small amount of emotive beauty, the latest Godflesh release is a rusting cyborg constructed from so many clashing parts of pieces that in any other band’s hands it probably wouldn’t work. Godflesh, of course, know exactly what they’re doing. Continue reading “Godflesh – Post Self (Review)”
Zaraza are a doom/sludge band from Ecuador. This is their third album.
Zaraza play experimental industrial-tinged doom/sludge metal. Slow, dreary, and utterly without hope. Continue reading “Zaraza – Spasms of Rebirth (Review)”
Buioingola are an atmospheric doom band from Italy and this is their second album.
Il Nuovo Mare is the follow up to the band’s 2013 debut Dopo l’Apnea. This was a release that established Buioingola as a band that were travelling their own way, and a release that firmly stuck in my mind as one of the more memorable ones of that year. Continue reading “Buioingola – Il Nuovo Mare (Review)”
This is the debut album from Dormansland, a solo act from the UK.
Mixing doom, drone, shoegaze and industrial elements into its near-hour long playing time, After Humanity is a reflective and atmospheric work that’s not afraid to put the boot in when it needs to.
The songs on this release gain traction in the mind of the listener the more they are experienced, and are a combination of emotive, subtle affairs, with harsher industrial-edged themes. Continue reading “Dormansland – After Humanity (Review)”
![Kontagion – KO[R-!-E] (Review)](https://wonderboxmetal.com/wp-content/uploads/2018/01/kontagion.jpg?w=700)
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