Phenocryst are a Portuguese death metal band and this is their debut EP.
This 23-minute EP erupts with the sort of underground death metal that impresses on first listen and then simply gets better on subsequent ones. Continue reading “Phenocryst – Explosions (Review)”
Charnel Altar are an Australian blackened death metal band and this is their debut album.
Charnel Altar’s 47-minute debut album reeks of horrific misery and grim nightmare. The music combines doom, death, and black metal into a hideously twisted mass of guitars, bass, and drums. It’s blackened death/doom of a sort, only not what that appellation might initially conjure; Abatement of the Sun is bred from far older and darker stock, with an old-school underground feel that’s as infectious as it is authentically nasty. Continue reading “Charnel Altar – Abatement of the Sun (Review)”
Anatomy of Habit are from the US and this is their third album. They play experimental doom/post-metal.
2014’s Ciphers + Axioms seems like it came out a very long time ago, which I suppose it actually did. Now we have a follow up, however; Even If It Takes a Lifetime offers the listener a journey into sound that’s rich and textured. Continue reading “Anatomy of Habit – Even If It Takes a Lifetime (Review)”
Many fine records were released in November, too many to do justice to here. Instead I’ll just pick five of my favourites. The below albums are all quite different, but all striking in their own individual ways… Continue reading “Monthly Overview – the Best of November 2021”
This is the seventh album from Polish black metal act Gurthang.
2019’s Ascension was an album that I enjoyed at the time, but which has only increased in my estimation since. As such, I was eager to hear their latest creation. Continue reading “Gurthang – Hearts of the Hollow (Review)”
Anomalie are an Austrian post-black metal band and this is their fourth album.
Following on from 2017’s well-received Visions, (via an EP I haven’t heard), Tranceformation contains 44 minutes of new material, and comes with a newly-focused direction to boot. A rough reference point for what Tranceformation sounds like would be a mix of bands such as Schammasch, Enslaved, and old Anomalie, although to be honest this is only a very approximate guide at best, especially as some songs have a modern doom metal flavour too, (most notably opening track). Continue reading “Anomalie – Tranceformation (Review)”
This is the third album from Belgian post-metallers Hemelbestormer.
I’m not the biggest fan of instrumental music, but sometimes a band comes along and makes it work notably well. With 2016’s Aether and 2018’s A Ring of Blue Light, Hemelbestormer were just one such band. Now they’ve returned with Collide & Merge, which boasts a whopping 73 minutes of new material. Can Hemelbestormer continue their upward trend? We shall see. Continue reading “Hemelbestormer – Collide & Merge (Review)”
This is the second album from Daxma, a doom/post-metal band from the US.
Following on from 2017’s The Head Which Becomes the Skull, by way of the 2019 EP Ruins upon Ruins, Unmarked Boxes is a record I’ve been waiting for. Daxma deal in luscious doom and post-metal soundscapes that are absolutely awash with atmosphere and run deep with emotive content. Continue reading “Daxma – Unmarked Boxes (Review)”
Khemmis are a doom metal band from the US and this is their fourth album.
Khemmis are a great band, it’s as simple as that. Across three very well-received albums, (Absolution, Hunted, and Desolation), they have established themselves as modern doom metal heavyweights extraordinaire. On Deceiver Khemmis have continued their trend of high quality releases, and it’s one not be missed. Continue reading “Khemmis – Deceiver (Review)”
Wonderbox Metal gets sent a lot of new music, (which is great), but there’s no way that everything can get covered unfortunately, (which is not so great). This new column hopes to redress this balance, if only slightly, by taking a look at a handful of releases that a record label has recently sent out that might have otherwise slipped through the cracks.
A new release from Avantgarde Music is almost always worth exploring. Whenever I see a new record from the label on the horizon, I know to pay attention. With a strong track record for producing engaging and interesting black metal and doom albums, there’s always something good to discover… Continue reading “Label Roundup: Avantgarde Music – Mesarthim, Ikarie, & Olio Tähtien Takana (Reviews)”
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