Architectural Genocide are a death metal band from the US and this is their debut album.
Featuring an ex-member of Desecrate the Faith, Cordyceptic Anthropomorph contains 40 minutes of brutal death metal. Don all of your armour for this one, as it might crush you flat. Continue reading “Architectural Genocide – Cordyceptic Anthropomorph (Review)”
This is the debut album from US death metallers Aronious.
Aronious play non-typical progressive/technical death metal, and on Perspicacity they have gifted us with 59 minutes of the stuff. Continue reading “Aronious – Perspicacity (Review)”
This is the second album from Scáth Na Déithe, an Irish black/death metal band.
The Dirge of Endless Mourning contains 44 minutes of atmospheric black metal mixed with malignant death metal. It’s spiritually comparable in scope and breadth to the Cascadian style, but filtered through Irish folklore and history and has a brutal edge that comes from the death metal influences. The result is an album that pulls strengths from Continue reading “Scáth Na Déithe – The Dirge of Endless Mourning (Review)”
Wombbath are a Swedish death metal band and this is their fourth album.
SWEDISH DEATH METAL!!! Yeah! Wombbath return to give us another 50 minutes of the good stuff. I have a soft spot for this style that’s undeniable, but Wombbath have proven their worth in the past. Featuring members of bands such as Ashcloud, Henry Kane, Just Before Dawn, Gods Forsaken, Heads for the Dead, Ursinne, Repulsive Vision, and many others, you know that the style is in experienced hands before even pressing play. Continue reading “Wombbath – Choirs of the Fallen (Review)”
Earth Rot are an Australian blackened death metal band and this is their third album.
Both 2016’s Chthonian Virtues and 2017’s Renascentia were hugely enjoyable, and worthy of a place in any extreme metal fan’s collection. Continue reading “Earth Rot – Black Tides of Obscurity (Review)”
Viscera are a deathcore band from the UK and this is their debut album.
Featuring ex-members of Sylosis, Heart of a Coward, Martyr Defiled, Nervecell, Surfaces, and Abhorrent Decimation, Obsidian contains 36 minutes of modern brutality. Continue reading “Viscera – Obsidian (Review)”
So what do we have for you this month then? February had a range of decent metal release to devour, so today I present to you a small selection of them to savour. Continue reading “Monthly Overview – the Best of February 2020”
This is the fourth album from Canadian death metallers Beneath the Massacre.
Beneath the Massacre play technical death metal that’s relentlessly harsh and brutal. This is not music for the uninitiated or the fragile; Beneath the Massacre are uncompromisingly merciless across these 30 minutes. This is the band’s first album in eight years, and when Continue reading “Beneath the Massacre – Fearmonger (Review)”
This is the third album from French post-black metallers Regarde les Hommes Tomber.
Regarde les Hommes Tomber play post-black metal that takes a forward-thinking approach to its content. Blending in elements of sludge and minor aspects of death metal, the band’s music is an atmospheric and modern take on blackened art. Continue reading “Regarde les Hommes Tomber – Ascension (Review)”
This is the second album from Xenobiotic, an Australian deathcore/death metal band.
2018’s Prometheus was a deathcore highlight for me, so I was looking forward to what they had in store for us next. I was not expecting just how good Mordrake is though. The band have progressed, and progressed well. Continue reading “Xenobiotic – Mordrake (Review)”
Wonderbox Metal 