This is the third album from German deathcore band Mental Cruelty.
This is the follow up to 2019’s Inferis, although A Hill to Die Upon is a different beast to its predecessor. Although the foundations are the same, they’ve been built upon and reshaped into a far darker, more blackened Continue reading “Mental Cruelty – A Hill to Die Upon (Review)”
This is the fourth album from Swedish death metallers Humanity’s Last Breath.
Following on from the monolithic juggernaut that was 2019’s Abyssal, Humanity’s Last Breath have pulled out all of the stops and produced their best work to date. Välde is 54 minutes of malignant modern death metal darkness. Continue reading “Humanity’s Last Breath – Välde (Review)”
Cabal are a deathcore band from Denmark and this is their second album.
Cabal play brutal deathcore, but not without personality. Imagine a band like Thy Art Is Murder, only darker, more vicious in nature, and blackened; this will give you a rough idea of what we’re dealing with here. Continue reading “Cabal – Drag Me Down (Review)”
Tonight’s sold out show boasts a strong lineup of modern heaviness and extremity. It’s a show I’m very glad I have got to attend. So without further ado… Continue reading “Human Target Tour – Thy Art Is Murder/Carnifex/Fit for an Autopsy/Rivers of Nihil/I Am – Manchester Academy 2, 26/01/20 (Live Review)”
An Argency are a deathcore/metalcore band from Belarus and this is their second album.
So here’s a band that are travelling a path slightly less-worn – self-described as symphonic blackened deathcore, or occult deathcore, Eternal Legacy is the sound of deathcore/metalcore structuring that’s been warped and corrupted by black metal’s sickening touch. Continue reading “An Argency – Eternal Legacy (Review)”
Wonderbox Metal 