MØL are a post-black metal band from Denmark and this is their second album.
I really liked 2018’s Jord, so it’s great to have some new material from MØL.
MØL play an effervescent blend of post-black metal and blackgaze, and on Diorama they deliver 47 minutes of the stuff. Continue reading “MØL – Diorama (Review)”
Doedsvangr are a black metal band from Norway/Finland and this is their second album.
2017’s Satan ov Suns was an enjoyable record, so I’m glad we now have a new album of occult second wave black metal fury to explore. Made by musicians with a huge range of experience, (having spent time in bands such as Nordjevel, Behexen, Aosoth, Tsjuder, Sargeist, Horna, Nightbringer, Antaeus, and Temple of Baal, to name just a handful), Serpents ov Old is the sound of a group that really know what they’re doing with the style. Continue reading “Doedsvangr – Serpents ov Old (Review)”
Ghost Bath are a depressive black metal band from the US and this is their fourth album.
I’m a big fan of Ghost Bath‘s work. Although somewhat divisive and an acquired taste for some, 2017’s Starmourner was so unusual and charismatic with its over-the-top histrionics and charged melodic atmosphere, that I couldn’t help but fall for it completely. As such, I’ve been looking forward to Self Loather. Continue reading “Ghost Bath – Self Loather (Review)”
This is the third album from Worm, a blackened death/doom band from the US.
Foreverglade is the fetid swamp where black metal, funeral doom, and death metal meet and all drown slowly. It hard not to get caught up in the band’s rotting stench. I mean, a blackened form of death/doom? One which knows how to craft atmosphere as well as crush with brutal harsh nastiness, all tied together with very effective songwriting? Sign me up. Right now. Continue reading “Worm – Foreverglade (Review)”
This is the second album from Zornheym, a symphonic extreme metal band from Sweden.
Featuring an ex-member of Dark Funeral, Zornheym present us with a symphonic monster of black/death/heavy/extreme metal. Yes, a lot of genres are thrown into this one, to great effect. The Zornheim Sleep Experiment contains 37 minutes of the stuff, and it’s a damn good listen. Continue reading “Zornheym – The Zornheim Sleep Experiment (Review)”
This is the debut album from US black metal band Necrofier.
Necrofier feature members of Oceans of Slumber and Church of Disgust in their lineup, (and other bands), and Prophecies of Eternal Darkness provides a compelling slice of melodic black metal across 36 minutes that manages to merge professional delivery with underground fire. Continue reading “Necrofier – Prophecies of Eternal Darkness (Review)”
This is the debut album from Polish black metallers Misanthur.
Ephemeris offers a 56-minute journey into darkness. Spreading itself across a range of styles and genres, including post-black metal, dark ambient, noise, doom, jazz, and industrial, the album is a multifaceted collection of apocalyptic soundscapes brought to vibrant life by a talented act. Continue reading “Misanthur – Ephemeris (Review)”
Sol Sistere are a black metal band from Chile and this is their third album.
I’ve had a bit of a soft spot for Sol Sistere ever since spending time with 2019’s Extinguished Cold Light. As such, as soon as the band’s new self-titled album surfaced, I knew I had to experience what it had to offer. Continue reading “Sol Sistere – Sol Sistere (Review)”
Alda are an atmospheric black metal band from the US and this is their fourth album.
Alda have a multifaceted sound born from combining black metal, post-rock, and folk into 51 minutes of atmospheric nature-themed blackened art. Boasting multiple vocalists and a range of different instrumentation, including the use of viola and cello, A Distant Fire is an album of nuance and rich texture. Continue reading “Alda – A Distant Fire (Review)”
Wonderbox Metal gets sent a lot of new music, (which is great), but there’s no way that everything can get covered unfortunately, (which is not so great). This new column hopes to redress this balance, if only slightly, by taking a look at a handful of releases that a record label has recently sent out that might have otherwise slipped through the cracks.
Les Acteurs de L’Ombre Productions has released some very strong albums over the years, so I always like to keep up with what they’re putting out. Imagine my horror when I discovered that I was a good couple of months behind with their releases. To rectify, I’ve collected the three below for your delectation… Continue reading “Label Roundup: Les Acteurs de L’Ombre Productions – Limbes, Mütterlein, Aorlhac, & Hegemon (Reviews)”
