This is the latest EP from Lithuanian post-black metallers Au-Dessus.
After thoroughly enjoying 2017’s End of Chapter, I’m pleased to be able to hear some new material from Au-Dessus. Mend contains five tracks, with a duration of 26 minutes. Continue reading “Au-Dessus – Mend (Review)”
This is the sixth album from Polish black metallers In Twilight’s Embrace.
Featuring current and ex-members of Bloodthirst and Blaze of Perdition, In Twilight’s Embrace offer up 48 minutes of blackened darkness on Lifeblood. Continue reading “In Twilight’s Embrace – Lifeblood (Review)”
This is the fourth album from Swiss black metallers Aara, (who feature members of Modern Rites and Porta Nigra).
Following hot on the heels of last year’s Triade I: Eos comes Triade II: Hemera, which gives us 42 minutes of new material. Aara play a hybrid form of black metal that combines the atmospheric and the melodic styles into their own brand of scathing darkness. Continue reading “Aara – Triade II: Hemera (Review)”
This is the second album from UK black metal act Ante-Inferno.
Ante-Inferno play atmospheric black metal, and on Antediluvian Dreamscapes they deliver 43 minutes of contemporary blackened darkness. Continue reading “Ante-Inferno – Antediluvian Dreamscapes (Review)”
Katharos are a Swedish black metal band and this is their second album.
Featuring the drummer of Wormwood, Of Lineages Long Forgotten contains 49 minutes of symphonic black metal. The band take clear influence from the likes of Dimmu Borgir and the legendary Emperor, while also carving their own path through Continue reading “Katharos – Of Lineages Long Forgotten (Review)”
Scitalis are a Swedish black metal band and this is their debut album.
I enjoyed Scitalis’ debut EP Awakening from last year, so am pleased that they now have a full album ready to be unleashed. Continue reading “Scitalis – Doomed Before Time (Review)”
Wonderbox Metal gets sent a lot of new music, (which is great), but there’s no way that everything can get covered unfortunately, (which is not so great). This new column hopes to redress this balance, if only slightly, by taking a look at a handful of releases that a record label has recently sent out that might have otherwise slipped through the cracks.
This edition of this column is split between label Satanath Records and partner label Grimm Distribution. Both have released some fine records over the years, so I thought it as good a time as any to shed some light in their particular corner of the underground. Continue reading “Label Roundup: Satanath Records and Grimm Distribution – Atra Haeresis, Ukronakh, Veldraveth, and Wintaar (Reviews)”
This is the third album from US black/death metallers Haunter.
Following on from 2019’s very well-received Sacramental Death Qualia, Haunter have now returned with 32 minutes of new material. The band’s style can be termed progressive black/death metal, and Continue reading “Haunter – Discarnate Ails (Review)”
Icare are a post-black metal band from Switzerland and this is their second album.
So, here’s one that intrigued me form the start with its unusual album artwork. But wait, there’s more to why this grabbed my attention; this is an album that the promo blurb describes as a mix of black-metal, post-metal, and grindcore. It also recommends Charogne for fans of Wake, Calligram, Cult of Luna, and Ulcerate. More and more intriguing, thought I. And then, upon discovery that the album consists of one single 43-minute track, I was sold, and knew I had to check out what Icare have to offer. Continue reading “Icare – Charogne (Review)”
This is the debut album from US black metal band Tómarúm.
Featuring a member of The Ritual Aura, and session members from Inferi and Virvum, Ash in Realms of Stone Icons contains 60 minutes of progressive black/death metal. Continue reading “Tómarúm – Ash in Realms of Stone Icons (Review)”
