This is the third album from US black metal band Oubliette.
I really liked 2018’s The Passage, and I can’t quite believe it’s been six years since that record. Now the band are back, with a refreshed lineup, (which includes the drummer of Inferi), and 39 minutes of new material in the shape of Eternity Whispers. Continue reading “Oubliette – Eternity Whispers (Review)”
Severe Torture are a death metal band from the Netherlands and this is their sixth album.
Torn from the Jaws of Death is a 39-minute hammer smash to the face. I’ve been a huge fan of Severe Torture ever since 2000’s Feasting on Blood, so to say I’ve been excited for this has been an understatement. I’m pleased to say that Severe Torture have delivered the entrails-smeared goods, and have also brought some additional torture implements with them too. Continue reading “Severe Torture – Torn from the Jaws of Death (Review)”
Huntsmen are a US progressive metal band and this is their third album.
Leaving a lasting mark with 2018’s striking American Scrap, Huntsmen made a strong first impression with their debut record. They followed this up with 2020’s Mandala of Fear, which saw the band go big in many different ways, living up to their early promise. It’s now four years later and here we have The Dry Land, which gives us 42 minutes of new material. What does the Huntsmen of 2024 provide us with? Continue reading “Huntsmen – The Dry Land (Review)”
This is the third album from UK black metal band Inconcessus Lux Lucis.
Inconcessus Lux Lucis made a good impression on me with 2017’s The Crowning Quietus, and this was reinforced on 2021’s SamaeLilith: A Conjunction of the Fireborn split with Thy Darkened Shade, Amestigon, & Shaarimoth. The band have now returned with Temples Colliding in Fire, which delivers 44 minutes of new material. Continue reading “Inconcessus Lux Lucis – Temples Colliding in Fire (Review)”
This is the eighth album from Polish black metal act Gurthang.
It’s always good to catch up with what Gurthang are doing. 2019’s Ascension and 2021’s Hearts of the Hollow were both solid records, which now brings us to the 43-minute Martyrium. Continue reading “Gurthang – Martyrium (Review)”
This is the debut album from Parfaxitas, an international black metal band.
Weaver of the Black Moon is brought to us by members of Manetheren, Sinmara, Suffering Hour, Whoredom Rife, Wormlust, which means that you can immediately be assured that Parfaxitas know what they’re doing. Continue reading “Parfaxitas – Weaver of the Black Moon (Review)”
This is the sixth album from Árstíðir Lífsins, an international, (Germany/Iceland), black metal band.
2020’s epic Saga á tveim tungum II: Eigi fjǫll né firðir was a notable album that introduced me to Árstíðir Lífsins, and I thoroughly enjoyed 20203’s Hermalausaz even more. This means I’ve been looking forward to Aldrlok ever since I became aware of its presence on the blackened horizon. Continue reading “Árstíðir Lífsins – Aldrlok (Review)”
This is the fifth album from Canadian black metal band SIG:AR:TYR.
The promo blurb tells us that Citadel of Stars is for fans of Bathory, Primordial, Falkenbach, Emperor, and Agalloch. This sets the scene nicely for what SIG:AR:TYR have to offer, and should also hopefully speak to how accomplished this album is too. Continue reading “SIG:AR:TYR – Citadel of Stars (Review)”
Wormwood are a Swedish black metal band and this is their fourth album.
It’s great to have some new Wormwood material out in the wild. 2021’s Arkivet was a notable album, so The Star is one I have been anticipating. Across 47 minutes Wormwood prove that Arkivet was no fluke. Continue reading “Wormwood – The Star (Review)”
Whoredom Rife are a Norwegian black metal band and this is their fourth album.
Containing an ex-member of Keep of Kalessin, Whoredom Rife bring us a scathing slice of classic Norwegian black metal. Den Vrede Makt delivers 50 minutes of material played with authentic passion and lethal skill. Continue reading “Whoredom Rife – Den Vrede Makt (Review)”
