Label Roundup: Satanath Records and Grimm Distribution – Atra Haeresis, Ukronakh, Veldraveth, and Wintaar (Reviews)

Wonderbox Metal gets sent a lot of new music, (which is great), but there’s no way that everything can get covered unfortunately, (which is not so great). This new column hopes to redress this balance, if only slightly, by taking a look at a handful of releases that a record label has recently sent out that might have otherwise slipped through the cracks.

This edition of this column is split between label Satanath Records and partner label Grimm Distribution. Both have released some fine records over the years, so I thought it as good a time as any to shed some light in their particular corner of the underground. Continue reading “Label Roundup: Satanath Records and Grimm Distribution – Atra Haeresis, Ukronakh, Veldraveth, and Wintaar (Reviews)”

Tómarúm – Ash in Realms of Stone Icons (Review)

Tómarúm - Ash in Realms of Stone IconsThis is the debut album from US black metal band Tómarúm.

Featuring a member of The Ritual Aura, and session members from Inferi and Virvum, Ash in Realms of Stone Icons contains 60 minutes of progressive black/death metal. Continue reading “Tómarúm – Ash in Realms of Stone Icons (Review)”

Notturno – Obsessions (Review)

Notturno - ObsessionsThis is the debut album from Notturno, an Italian black metal band.

Featuring the vocalist of Eyelessight, Notturno play a mix of depressive and atmospheric black metal that also contains elements of doom. There are three epic-length songs on Obsessions, delivering 37 minutes of material in total. Continue reading “Notturno – Obsessions (Review)”

Marrasmieli – Martaiden Mailta (Review)

Marrasmieli - Martaiden MailtaMarrasmieli are a black metal band from Finland and this is their second album.

I enjoyed 2020’s Between Land and Sky a great deal, which made Martaiden Mailta one I was definitely looking forward to. Marrasmieli play atmospheric black metal with a clear folk influence, but they balance this against a heart of pure blackened darkness. Continue reading “Marrasmieli – Martaiden Mailta (Review)”

Tome of the Unreplenished – Earthbound (Review)

Tome of the Unreplenished - EarthboundTome of the Unreplenished are a black metal band from Cyprus and this is their second album.

Containing current and ex-members of bands such as Code, Macabre Omen, and LvcifyreEarthbound is a 47-minute atmospheric black metal album that may not be quite what you were expecting. Continue reading “Tome of the Unreplenished – Earthbound (Review)”

Bhleg – Fäghring (Review)

Bhleg - FäghringThis is the fourth album from Swedish black metallers Bhleg.

I always enjoy it when a new Bhleg release comes along, (Draumr Ást, Solarmegin, Ödhin), so Fäghring is well-received by yours truly.

Bhleg’s atmospheric brand of folk-enriched black metal spreads Continue reading “Bhleg – Fäghring (Review)”

Falls of Rauros – Key to a Vanishing Future (Review)

Falls of Rauros - Key to a Vanishing FutureFalls of Rauros are a black metal band from the US and this is their sixth album.

Here’s one I’ve been looking forward to, that’s for sure. Falls of Rauros’ last three albums, (2014’s Believe in No Coming Shore, 2017’s Vigilance Perennial, and 2019’s Patterns in Mythology), all showcased a band on a continual upward trajectory, with each album improving on what its predecessor offered. So, to say that Key to a Vanishing Future carried great expectations would be an understatement. Continue reading “Falls of Rauros – Key to a Vanishing Future (Review)”

Starer – The What It Is to Be (Review)

Starer - The What It Is to BeThis is the second album from US one-man black metal band Starer.

Hot on the heels of last year’s 18° Below the Horizon, (which made it into my year end list), the artist behind the band has returned already. This time he’s packing 50 minutes of new material spread out over four grandiose songs. Continue reading “Starer – The What It Is to Be (Review)”