This is the second album from Mourir, a black metal band from France.
This is the follow up to 2020’s Animal Bouffe Animal, and delivers 38 minutes of utter blackened darkness. Mourir, (who contain members of Drawers and Plebeian Grandstand), specialise in modern black metal, with unhinged daemonic vocals and more oppressive, malignant atmosphere than a lot of people will be able to handle. Continue reading “Mourir – Disgrâce (Review)”
Toadeater are a post-black metal; band from Germany and this is their third album.
Bexadde delivers 44 minutes of black metal across four lengthy nightmarescapes. Blending atmospheric components into a post-blackened framework, Toadeater’s music is compelling and satisfying. Continue reading “Toadeater – Bexadde (Review)”
This is the second album from German black metal band Unru.
Die Wiederkehr des Verdrängten actually saw the light of day back in March, but I’ve been listening to it a lot and I just had to give it the attention it deserves with a review. I’ve enjoyed Unru’s work for a while, (check out the band’s 2014 split with Paramnesia and their 2016 debut album Als Tier ist der Mensch Nichts), but this new one is a different beast. The Unru of 2022 have crafted their most expansive, ambitious, and affecting work yet. Continue reading “Unru – Die Wiederkehr des Verdrängten (Review)”
Wampyric Rites are a black metal band from Ecuador and this is their second album.
The Wolves Howl to the Moon contains 35 minutes of raw, undergound, old-school black metal. There’s no messing around; Wampyric Rites mean business. Continue reading “Wampyric Rites – The Wolves Howl to the Moon (Review)”
Olhava are a Russian ambient/post-black metal band and this is their fifth album.
2021’s Frozen Bloom was an enjoyable blend of atmospheric post-blackened intensity and shimmering dark ambience. Have Olhava managed to recreate their dark magic once again? Continue reading “Olhava – Reborn (Review)”
This is the debut album from black metal solo act Blackbraid.
The music on Blackbraid I is a form of black metal that takes from the classic and atmospheric styles to create something all of its own. Native American folk influences can also be heard, and these are well-integrated into the music’s Continue reading “Blackbraid – Blackbraid I (Review)”
This is the second album from Canadian black metal band Liminal Shroud.
Liminal Shroud play atmospheric black metal with a combination of immersive atmosphere, melodic weight, and blistering aggression. All Virtues Ablaze contains 40 minutes of material that’s carved up into four songs. Continue reading “Liminal Shroud – All Virtues Ablaze (Review)”
This is the fifth album from Russian black metal band Grima.
Containing members of Second to Sun, Frostbitten presents us with 49 minutes of atmospheric black metal, and it does so with singular skill, talent, and delivery. Continue reading “Grima – Frostbitten (Review)”
This is the latest EP from Hulder, a one-woman black metal band from the US.
A 26-minute mini-album, The Eternal Fanfare has strong roots in the classic 90s era. It uses these influences well, but is not restricted by them. The artist behind the band clearly knows what she wants to achieve with her music, and uses influences Continue reading “Hulder – The Eternal Fanfare (Review)”
This is the fifth album from UK one-man black metal band Saor.
Brought to us by the artist behind Fuath, (and also an ex-member of Falloch), Saor’s music is well-regarded, although this is my first encounter with it. My loss, it seems, as Origins offers up a very compelling 41 minutes of atmospheric black metal. Continue reading “Saor – Origins (Review)”
