This is the second album from US progressive rock band Earthside.
Let the Truth Speak is a 78-minute odyssey of contemporary progressive rock and metal. Built around a core of the main band, these musicians are augmented by a range of guest musicians and vocalists, (including the singer of Tesseract). Continue reading “Earthside – Let the Truth Speak (Review)”
This is the debut EP from international doom metal band Euchridian.
It’s taken me a while to get round to this one, but I’m glad I finally did. I knew I wanted to give it a go due to Euchridian featuring current and ex-members of Barshasketh and Of Spire & Throne, both bands worthy of your time. Continue reading “Euchridian – Philia (Review)”
This is the second album from Norwegian post-metal band Sâver.
Sâver made a good impression on me with their 2021 split with Psychonaut, so this new release was a great opportunity to see what they are capable of with a full album to play with. Continue reading “Sâver – From Ember and Rust (Review)”
This is the fifth album from Swedish black metallers Mephorash.
It has been four long years since 2019’s colossal Shem Ha Mephorash first graced the world with its infernal presence, and we’re now due a new emanation from this esoteric act. Behold Krystl-Ah! Yes, Mephorash have gifted us with 67 minutes of new material, and once again, Mephorash have created an impressive album that’s absolutely huge in more ways than one. Continue reading “Mephorash – Krystl-Ah (Review)”
This is the third album from Swedish black metal band Night Crowned.
I thoroughly enjoyed 2021’s Hädanfärd, and my appreciation for its dark charms has only increased over time. Tales gives us 43 minutes of new material, and I have been looking forward to hearing what it has to offer. Continue reading “Night Crowned – Tales (Review)”
This is the fifth album from Vastum, a death metal band from the US.
It’s a rather shocking ten years since I last heard Vastum, (2013’s Patricidal Lust), so getting reacquainted with the band’s music is long overdue. I’m glad I did, as Inward to Gethsemane is a monster. Continue reading “Vastum – Inward to Gethsemane (Review)”
Heretoir are a post-black metal band from Germany and this is their third album.
Nightsphere contains 42 minutes of atmospheric post-black metal. Heretoir have an emotive, textured delivery, and across this album they seriously impress. Continue reading “Heretoir – Nightsphere (Review)”
It’s Damnation o-clock once more! This is always such a good festival to attend. The line up is an interesting and varied one, with some bands I’m less interested in, some that are an essential experience, and some frustrating clashes. I missed some great bands today, unfortunately, but that’s always going to be the case with such a jam-packed festival. Continue reading “Damnation Festival 2023 – BEC Arena, Manchester, 04/11/23 (Live Review)”
This is the second album from Enevelde, a Norwegian solo black metal band.
2020’s Enevelde was an enjoyable record that made a good impression. Now the artist behind Enevelde has returned with 39 minutes of new material, showcasing the sort of well-rounded black metal that’s a definite cut above the norm. Continue reading “Enevelde – En Gildere Død (Review)”
This is the second album from US one-woman black metal band Feminizer.
Beneath the Harm is a 43-minute journey into nightmare and pain, one that’s frequently gorgeous, despite its venomous bite. It’s a multifaceted exploration of raw blackened expression. It’s one that embraces the artist’s vision wholly, resulting in material that drips emotion and passion through every devastating pore. Continue reading “Feminizer – Beneath the Harm (Review)”
Wonderbox Metal 