Uneven Structure are a French progressive metal band and this is their third album.
I really enjoyed 2017’s La Partition, so it’s good to have some more material from the band. On Paragon Uneven Structure run through 53 minutes of modern progressive metal that demonstrates a band at the height of their abilities. Continue reading “Uneven Structure – Paragon (Review)”
Sons of Alpha Centauri are from the UK and this is their latest release. They play instrumental progressive rock.
Sons of Alpha Centauri return! I’ve enjoyed their work in the past, having been introduced to them on their split with Karma to Burn, and then subsequently impressed by their 2018 album Continuum. Continue reading “Sons of Alpha Centauri – Buried Memories (Review)”
This is the third album from US deathcore/death metal band Signs of the Swarm.
I enjoyed 2017’s The Disfigurement of Existence, which took the standard deathcore template and injected into it brutal slamming death metal and the very occasional bout of melody and atmosphere. On Vital Deprivation the band have returned with 27 minutes of new material, and a changed style and singer too. Continue reading “Signs of the Swarm – Vital Deprivation (Review)”
This is the thirteenth album from Blut Aus Nord, a French black metal band.
You never quite know what you’re going to be getting with a Blut Aus Nord release, and on Hallucinogen the band have mutated once again. Their latest incarnation is an avant-garde progressive black metal monster, emphasising atmosphere and feeling via engaging blackened soundscapes. Continue reading “Blut Aus Nord – Hallucinogen (Review)”
Sorxe are a post-metal/sludge band from the US and this is their third album.
Following up 2014’s Surrounded by Shadows and 2017’s Matter & Void, we now have the much-anticipated The Ark Burner. Continue reading “Sorxe – The Ark Burner (Review)”
This is the fifth album from UK doom metal/rock band Alunah.
Having enjoyed 2017’s Solennial, the band have now returned with a new lineup, (including a new singer/guitarist, and the bassist of Diamond Head on second guitar). Continue reading “Alunah – Violet Hour (Review)”
This is the sixth album from Entrails, a Swedish death metal band.
Entrails are a reliable death metal juggernaut. With both Obliteration and World Inferno the band produced highly enjoyable exemplars of the classic Swedish death metal style, and now with Rise of the Reaper they’re back once again with another 47 minutes of buzzsaw worship. Continue reading “Entrails – Rise of the Reaper (Review)”
This is the second album from Maïeutiste, a French Black Metal band.
2015’s Maïeutiste was a record that impressed. Full of wide-ranging content and engaging blackened exploration, it was an album of fire and mystery. Veritas continues the theme developed in the band’s earlier work, only to refine it further. Continue reading “Maïeutiste – Veritas (Review)”
This is the debut album from Geist, a hardcore band from the UK.
Mixing dark hardcore, metal, and crust, this is 26 minutes of near-lightless harshness. Continue reading “Geist – Swarming Season (Review)”
Exhumed are a death metal band from the US and this is their seventh album.
How unexpected. If you’d have told me that in 2019 Exhumed’s newest album would be 26 minutes of gore-obsessed deathgrind, I’d certainly have been surprised. And I am. Maybe this is a reaction to the relative sophistication of Continue reading “Exhumed – Horror (Review)”
Wonderbox Metal 