This is the fourth album from German black metallers Dauþuz.
Vom Schwarzen Schmied gives us 57 minutes of well-crafted black metal to sink our teeth into. Continue reading “Dauþuz – Vom Schwarzen Schmied (Review)”
This is the fourth album from German black metallers Dauþuz.
Vom Schwarzen Schmied gives us 57 minutes of well-crafted black metal to sink our teeth into. Continue reading “Dauþuz – Vom Schwarzen Schmied (Review)”
Wonderbox Metal gets sent a lot of new music, (which is great), but there’s no way that everything can get covered unfortunately, (which is not so great). This new column hopes to redress this balance, if only slightly, by taking a look at a handful of releases that a record label has recently sent out that might have otherwise slipped through the cracks.
Transcending Obscurity is an excellent record label that has released some phenomenal music over the years. If you have the time I highly recommend going back through the label’s multifaceted back catalogue as there are some true gems there. Let’s have a look at a selection of their more recent output below… Continue reading “Label Roundup: Transcending Obscurity – Heads for the Dead, Replicant, Norse, & Noltem (Reviews)”
This is the second album from US stoner metallers Mother Iron Horse.
Under the Blood Moon contains 37 minutes of riotous fun and escapist storytelling. Mixing stoner metal with sludge heaviness, Mother Iron Horse’s music is easy to like; the band just want to party hard and crush some skulls with their sludgy stoner metal, what’s not to like? Mother Continue reading “Mother Iron Horse – Under the Blood Moon (Review)”
Fornhem are a Swedish black metal band and this is their second album.
On Stämman från Berget Fornhem offer a traditional black metal approach with tastefully integrated folk elements and the occasional more modern influence. Continue reading “Fornhem – Stämman från Berget (Review)”
Adliga are a post-metal/doom band from Belarus and this is their debut album.
Adliga play a doom-laden brand of post-metal, and on Vobrazy they deliver 41 minutes of captivating material. Their music reminds me of a mix of Obscure Sphinx, Katatonia, Madder Mortem, The Ocean, and Cult of Luna, although these are only rough reference points. Continue reading “Adliga – Vobrazy (Review)”
This is the second album from French black metal solo act Adoperta Tenebris.
Oblivion: the Forthcoming Ends contains 48 minutes of black metal that has a strong second wave Scandinavian influence and a smattering of death metal ones. Continue reading “Adoperta Tenebris – Oblivion: the Forthcoming Ends (Review)”
This is the debut album from Gold Spire, a death metal band from Sweden.
Featuring ex-members of the mighty Usurpress, Gold Spire contains 40 minutes of progressive death metal. In many ways this album is the next logical step on from Interregnum, which is great to hear as that was such a superlative album. Continue reading “Gold Spire – Gold Spire (Review)”
October was an absolutely stacked month for great albums! It was very hard to choose just a handful below. There were so many high quality releases and I know whatever I ended up choosing I’d miss some out that deserved to be highlighted, so I’ve just gone with whatever felt right in the moment – if had to do this list again, I’m sure there would be some changes. Having said that, all of the below are superlative albums. Continue reading “Monthly Overview – the Best of October 2021”
This is the third album from US blackened post-hardcore band Glassing.
Following on from 2019’s Spotted Horse, Twin Dream delivers 48 minutes of new material, and essentially continues off from where Spotted Horse left off, only improves it in pretty much all respects. Continue reading “Glassing – Twin Dream (Review)”
This is the latest EP from Gaahls Wyrd, a black/dark metal band from Norway.
Gaahls Wyrd are a very experienced band, (with current and ex-members of acts such as Aeternus, Grimfist, Gorgoroth, Harm, Horizon Ablaze, and others), and I very much enjoyed their debut album Gastir – Ghosts Invited. Continue reading “Gaahls Wyrd – The Humming Mountain (Review)”