This is the third album from these Brazilian Death Metal veterans, and their first in 15 years.
Rebaelliun have a level of in-built authenticity to them and The Hell’s Decrees is a form of Death Metal purity that few attain. These songs slay the opposition with ease, providing a precise assault of speed and brutality that is inspiring in its destructiveness.
Or, to put it another way; these are damn fine Death Metal songs. Continue reading “Rebaelliun – The Hell’s Decrees (Review)”
This is the second album from Heretique, a Polish Death Metal band.
This is solid old-school Death Metal that takes additional influence from older Metal and proto-Black Metal, making for a well-rounded release that creates its own atmosphere and character with ease.
Snatches of melody appear here and there in the leads and solos; played well and thoughtfully constructed, they add colour and feeling to the otherwise heavy old-school thrashings that the band produce. I love me some good soloing and there are some real crackers on here.
Continue reading “Heretique – De Non Existentia Dei (Review)”
Schammasch are a Black Metal band from Switzerland. This is their third album.
Here we have a bold, monster of a release; divided into three parts, each lasting about 35 minutes, the entire body of work clocks in at a massive 105 minutes in length.
Schammasch play forward-thinking music that’s rooted in Black Metal, but also visits other styles such as Doom, Post-Black Metal and Progressive Metal.
This is the sixth album from French Black Metal band, (currently a solo project it seems), Glorior Belli.
Previous album Gators Rumble, Chaos Unfurls was an uncommon blend of Black Metal, Sludge and southern US Metal riffing. Sundown (The Flock That Welcomes) continues this combination of Black Metal and Sludgy Blues Rock, although now the emphasis is much more on the Black Metal side of the equation.
Featuring sharp and cutting riffs alongside serrated vocals, a lot of the music on this album is dangerously bladed, seemingly out to cause harm with its fast guitars and blackened melodies. Continue reading “Glorior Belli – Sundown (The Flock That Welcomes) (Review)”
Invehertex are a Chilean Black Metal band and this is their début album.
At 79 minutes in length, Invehertex don’t do things by halves it seems.
Alongside some ambient interludes, the band play raw, underground Black Metal that has a sprawling and ambitious attitude to blackened soundscapes.
Blasting, icy aggression is present and correct, alongside groovier riffs and atmospheric explorations; all wrapped in darkness and covered with malevolence.
Sacrilegium are a Polish Black Metal band and this is their second album.
This is sophisticated Black Metal that shrouds itself in occult auras and mystical vibes.
Sacrilegium have produced an album that has a very modern feel, but nonetheless knows where it came from and pays its dues accordingly. With elements of the atmospheric and progressive styles entwined in its dark embrace, Anima Lucifera blasts and pummels its way through its playing time with style and panache. Continue reading “Sacrilegium – Anima Lucifera”
This is the third album from Israeli melodic/progressive Black Metallers Winterhorde.
Winterhorde use melodic Black Metal as a base to launch their epic brand of music from. On this base, they build firm structures of progressive Metal and symphonic/orchestral enhancements, all of which work together to produce Maestro, an Extreme Metal extravaganza.
If you combine elements of Black Metal with bands like Dimmu Borgir, Borknagar, Vintersorg, Arcturus and Nevermore, you’ll have a good idea of where Winterhorde are coming from. Continue reading “Winterhorde – Maestro (Review)”
Images at Twilight are an orchestral Black Metal band from Norway. This is their début album.
Featuring the same orchestral mastermind behind the stunning symphonic Death/Doom début by Abyssic, Images at Twilight is essentially a Black Metal version of this, (or the other way around, actually, as this album came first), with rich, sumptuous orchestration and classical grandness.
Grimner are a Swedish Viking/Folk Metal band and this is their second album.
Grimner play upbeat and melodic Metal that uses folk instruments such as flutes, mandola and Swedish bagpipes, as well as keyboards to add a rich layer of feeling and atmosphere to their aggressive Metal.
This is the début album from Brazilian Post-Black Metal band Solifvgae.
Solifvgae take the harshness of the core of Black Metal and wrap it up in Post-Metal reflection and exploration, making for an album that spreads itself across two worlds, taking in both aspects in equal measure. It’s almost a band of two parts, as the heavy bits are sharp and concise, while the more progressive/exploratory sections are wandering and expansive.
Wonderbox Metal 