This is the second album from Swedish death metallers Creeping Flesh.
Creeping Flesh play old-school death metal that feels like it’s underpinned and powered by the classic Swedish style, but has an obvious love of Bolt Thrower that they then build on top of these sturdy foundations. The end result throws bands such as Hail Continue reading “Creeping Flesh – …And Then the Bombs Came (Review)”
Lunar Tombfields are an atmospheric black metal band from France and this is their debut album.
Featuring four lengthy tracks with a duration of 47 minutes, The Eternal Harvest offers the discerning listener a feast of atmospheric black metal. With a sound taking influence from both old and new, Lunar Tombfields Continue reading “Lunar Tombfields – The Eternal Harvest (Review)”
This is the debut album from Vorga, a German black metal band.
Here we have 45 minutes of sci-fi-themed black metal. It’s sharp and lethal, honed to a killing edge, and has a more technical delivery than that of your average black metal act. Continue reading “Vorga – Striving Toward Oblivion (Review)”
This is a split between two blackened doom bands – Nathr, who are from Norway, and Ordo Cultum Serpentis, who are from Mexico/South Korea.
Nathr open the split with the 19-minute track The Burial. Continue reading “Nathr/Ordo Cultum Serpentis – Shadows Crawl – Split (Review)”
Near Death Condition are a Swiss death metal band and this is their fourth album.
It’s been a long eight years since 2014’s Evolving Towards Extinction, and the band have changed their lineup since then, but Near Death Condition are finally back. Continue reading “Near Death Condition – Ascent from the Mundane (Review)”
Obsidian Sea are a Bulgarian doom/heavy metal band and this is their fourth album.
I last caught up with Obsidian Sea on 2015’s Dreams, Illusions, Obsessions. Seven years, a lineup change, and another album in between later, and we now have Pathos, which caught my eye and encouraged me to get back in touch with what the band are doing. And what are they doing? Unleashing 40 minutes of fun material, that’s what. Continue reading “Obsidian Sea – Pathos (Review)”
Golgothan are a death metal band from the US and this is their debut album.
Golgothan offer up 38 minutes of brutal death metal. Worshipping at the altar of modern song-based big-hitters such as Aborted and Cattle Decapitation, Leech is a great example of how to take inspiration from well-known names and produce something that’s well-worth getting stuck into. Continue reading “Golgothan – Leech (Review)”
This is the debut album from Kurokuma, a doom/sludge band from the UK.
Both times that I’ve encountered Kurokuma, (2016’s Advorsus and 2019’s Sheffield’s Best Metal Bands Vol. 1), I’ve liked what I’ve heard, and now it’s finally time for their long-awaited debut album to see the light of day. The band have been slowly gathering Continue reading “Kurokuma – Born of Obsidian (Review)”
Devourer are a Swedish/Russian black metal band and this is their fourth album.
I really enjoyed 2017’s Across the Empty Plains and 2019’s Dawn of Extinction, so upon receipt of Raptus it was a must-listen.
Ever since first hearing Devourer back in 2017 I was immediately Continue reading “Devourer – Raptus (Review)”
This is the debut album from US black metallers Abhoria.
So, here we have a 42-minute black metal release that claims inspiration from Immortal, Dark Funeral and Emperor. How could I resist sampling its dark delights?
Abhoria present their second wave-influenced assault with a Continue reading “Abhoria – Abhoria (Review)”
Wonderbox Metal 