Ufomammut are an Italian doom band and this is their ninth album.
The follow up to 2015’s Ecate and 2017’s 8, Fenice offers up a change of direction for Ufomammut’s in some ways. Continue reading “Ufomammut – Fenice (Review)”
Category: Reviews
Tzompantli – Tlazcaltiliztli (Review)
This is the debut album from US death/doom band Tzompantli.
Tlazcaltiliztli contains 33 minutes of crushing death/doom, brought to us by members of Teeth and Xibalba. The band’s take on doom-infused death metal is terrifying and harsh; Tlazcaltiliztli is one of the foulest and most baleful albums I’ve heard in a while. Continue reading “Tzompantli – Tlazcaltiliztli (Review)”
Tómarúm – Ash in Realms of Stone Icons (Review)
This is the debut album from US black metal band Tómarúm.
Featuring a member of The Ritual Aura, and session members from Inferi and Virvum, Ash in Realms of Stone Icons contains 60 minutes of progressive black/death metal. Continue reading “Tómarúm – Ash in Realms of Stone Icons (Review)”
Wo Fat – The Singularity (Review)
Wo Fat are from the US and this is their seventh album of doom metal.
With seven tracks and a duration of 76 minutes, this is a mammoth album. Wo Fat’s style can be described as a mix of psychedelic, stoner, and blues-infused doom metal. Continue reading “Wo Fat – The Singularity (Review)”
Cosmic Putrefaction – Crepuscular Dirge for the Blessed Ones (Review)
This is the third album from, Cosmic Putrefaction, a one-man death metal band from Italy.
Following on from 2020’s The Horizons Towards Which Splendour Withers, Crepuscular Dirge for the Blessed Ones contains 42 minutes of new material. Brought to us by the artist behind Summit and Vertebra Atlantis, Cosmic Putrefaction’s music consists of progressive death metal augmented with doom and black metal highlights. Continue reading “Cosmic Putrefaction – Crepuscular Dirge for the Blessed Ones (Review)”
Vital Spirit – Still as the Night, Cold as the Wind (Review)
This is the debut album from Canadian black metallers Vital Spirit.
Featuring members of Seer and Wormwitch, Still as the Night, Cold as the Wind contains 36 minutes of folk-enhanced black metal. Continue reading “Vital Spirit – Still as the Night, Cold as the Wind (Review)”
I Am the Night – While the Gods Are Sleeping (Review)
This is the debut album from I Am the Night, a black metal band from Finland.
Brought to us by current and ex-members of bands such as Insomnium, Malpractice, Omnium Gatherum, Paradise Lost, and Vallenfyre, While the Gods Are Sleeping is a 38-minute record influenced by the 90s second wave of black metal. Continue reading “I Am the Night – While the Gods Are Sleeping (Review)”
Malthusian/Suffering Hour – Time’s Withering Shadow – Split (Review)
Malthusian are from Ireland and Suffering Hour are from the US. Both play blackened death metal, and they have teamed up for this split release.
Malthusian start us off and offer up two tracks, with a total duration of 20 minutes. Continue reading “Malthusian/Suffering Hour – Time’s Withering Shadow – Split (Review)”
Pyrithe – Monuments to Impermanence (Review)
This is the debut album from Pyrithe, an experimental sludge/post-metal band from the US.
Featuring a member of Noltem, along with guests from Noltem and Pyrrhon, (among others), Monuments to Impermanence is a 48-minute journey into experimental heaviness. Continue reading “Pyrithe – Monuments to Impermanence (Review)”
Watain – The Agony & Ecstasy of Watain (Review)
This is the seventh album from Swedish black metallers Watain.
This is the follow up to 2018’s Trident Wolf Abyss and contains 50 minutes of new material. The Agony & Ecstasy of Watain is raw and unforgiving, but not without character or atmosphere. The songs have the feel of those on classic second Continue reading “Watain – The Agony & Ecstasy of Watain (Review)”
