Intervals are a Canadian progressive metal band and this is their third album.
Essentially the product of just one creative mind, this album does, however, see a full band flesh out this mastermind’s vision. Continue reading “Intervals – The Way Forward (Review)”
Ketha are a Polish experimental metal band and this is their third album.
Combining elements of technical, progressive, modern, avant-garde, dissonant, and melodic metal into 43 minutes of material, this is an album that packs a lot into its playing time and uses this to take the listener on quite a journey. Continue reading “Ketha – 0 Hours Starlight (Review)”
This is album is a collaboration between The Body, an experimental sludge band from the US, and Full of Hell, a grindcore band, also from the US. It’s the second time these two malignant entities have teamed up to create an album together.
Knowing just how awesome both The Body and Full of Hell are individually, how could you not want to listen to this? Continue reading “The Body & Full of Hell – Ascending a Mountain of Heavy Light (Review)”
This is the seventh album from Swedish blackened thrash metal band Witchery.
Hot on the heels of last year’s In His Infernal Majesty’s Service, this Swedish supergroup, (Arch Enemy, The Haunted, among others), have returned suprisingly quickly with another collection of sharp, vicious tunes. Continue reading “Witchery – I Am Legion (Review)”
Sympuls-E are a Russian melodic death metal band and this is their third album.
Apparently a rerecording of the band’s 2011 demo Зеркало Города, Mirror City is bright and shiny metal, but not without bite. Continue reading “Sympuls-E – Mirror City (Review)”
This is the sixteenth album from Canadian metal institution Annihilator.
Annihilator have always delivered quirky, enjoyable, if sometimes varied material for their fans, but no matter what they release it’s always at least good, and always a welcome listen. Continue reading “Annihilator – For the Demented (Review)”
Voids are a metalcore band from the US and this is their debut album.
Heavy, heavy, heavy! That’s the aim of Voids. Well, that and ripping up your local pit. Well, that and providing a singable chorus. Well, that and…okay, so there’s more to Voids than you might initially think, as they operate in a few different metalcore circles, and largely do all of them quite well. Continue reading “Voids – No Character: No Crown (Review)”
This is the fourth album from UK metal band Savage Messiah.
Savage Messiah specialise in modern melodic metal, while combining elements of both old and new into their sound. Hands of Fate contains over 45 minutes of this anthemic, personable metal. Continue reading “Savage Messiah – Hands of Fate (Review)”
This is the fifth album from Swedish heavy metallers Ram.
I loved 2015’s Svbversvm. It was just such a good record. Well-written, well-recorded, and delivered with a classic flair for songwriting, it’s one of my favourite heavy metal releases of recent years. Continue reading “Ram – Rod (Review)”
Ne Obliviscaris are an Australian progressive extreme metal band and this is their third album.
Urn is epic, progressive, aggressive, and textured. It’s a release that has a lot to absorb and experience, requiring multiple sittings to really even start to get the most from it. This is a complex and emotive listen, one that’s highly rewarding and enjoyable. Continue reading “Ne Obliviscaris – Urn (Review)”
Wonderbox Metal 