Call of the Void are a US hardcore/grindcore band and this is their third album.
I’ve been a fan of Call of the Void since their 2015 album Ageless, which was then firmly cemented by their last EP AYFKM. Continue reading “Call of the Void – Buried in Light (Review)”
This is the debut album from Tripsitter, a post-hardcore band from Austria.
The promo blurb describes this as a mix of black metal, shoegaze, and hardcore, and this description sets the scene nicely for the 44 minutes of music you’ll find on The Other Side of Sadness. Continue reading “Tripsitter – The Other Side of Sadness (Review)”
This is the fourth album by Polar, a UK Hardcore band.
2016’s No Cure No Saviour was one of my favourite records from that year, offering an anthemic and highly addictive collection of hardcore and post-hardcore tunes. Continue reading “Polar – Nova (Review)”
Dispyt are a blackened crust band from Finland and this is their debut album.
Featuring members of Finntroll & Ondfødt, Den Ständigt Närvarande Ångesten contains 27 minutes of crust, punk, d-beat, and hardcore nastiness, all realised through a second wave black metal filter. Continue reading “Dispyt – Den Ständigt Närvarande Ångesten (Review)”
Minors are a hardcore/sludge band from Canada. This is their second album.
It only seems like yesterday that 2017’s Atrophy was unleashed on an unsuspecting world, providing those in the know with a visceral, harsh hit of aggressive hardcore/sludge that left a firm mark. Well, Minors are now back with another 30 minutes of material that sees them in fine form once more. Continue reading “Minors – Abject Bodies (Review)”
Gnarwolf are a US hardcore band and this is their latest EP, a split with Covina.
I enjoyed 2017’s II, so am pleased to hear some new work from Gnarwolf. We only have seven minutes of material here, divided into three songs, but it sure hits the spot. Continue reading “Gnarwolf – GnarVina – Split (Review)”
Endon are a Japanese experimental post-hardcore band and this is their third album.
Holy crap, what the Hell is this? I looove it when you stumble blindly upon something as unexpectedly individual as this, especially when it’s done so well. Done poorly, this would be unlistenable nonsense, (and I’m sure there are some that would regard this as such), but Endon have a talent, it seems, for producing unusual, non-easy Continue reading “Endon – Boy Meets Girl (Review)”
Ithaca are a metallic hardcore band from the UK and this is their debut album.
I’ll be honest, whenever I see a band described as metallic hardcore my eyes kind of glaze over as a first response. However, the promo blurb for this one intrigued me, I must confess, so I’ll reproduce it here – “Formed out of a mutual love of metallic hardcore but despair at its lack of ambition, Ithaca draw influence from everything from Southern doom to 90’s math rock as well as the untethered savagery of early Poison The Well and melodious battery of Oathbreaker.” Couple this with Continue reading “Ithaca – The Language of Injury (Review)”
Mastiff are a hardcore/sludge metal band from the UK and this is their second album.
Mastiff play the kind of pitch-black ugliness that I really like. Mixing styles and genres into an extreme metal mass of festering hatred and misery, Plague contains elements of doom, sludge, hardcore, and grindcore, all hatefully mixed together and vomited onto the listener with scorn and bile. Continue reading “Mastiff – Plague (Review)”
Sågverk are a Finnish blackened crust band and this is their second album.
This is the follow up to the belligerent Sahataan ne Kaikki from 2015. Like Royalty finds Sågverk in fine form. They have managed to take what made their debut album so enjoyable and refine and develop it further into the very satisfying 38 minutes of music that they have given us here. Continue reading “Sågverk – Like Royalty (Review)”
Wonderbox Metal 