This is the debut album from Hiroe, a post-rock/post-metal band from the US.
Wield is a 48-minute instrumental album that combines elements of doom, progressive rock, post-metal, and shoegaze into a compelling post-rock framework. Hiroe are skilled worldbuilders, and their debut album is a strong one. Continue reading “Hiroe – Wield (Review)”
Goya are a doom metal band from the US and this is their fourth album.
It’s been a long time since 2017’s Harvester of Bongloads, so it’s great to finally have a new album from Goya. The band’s previous album was stronger than most in the realms of doom metal, so expectations are high for the 40-minute In the Dawn of November. Continue reading “Goya – In the Dawn of November (Review)”
This is the debut album from international doom metal band Lights of Vimana.
That Déhà chap certainly gets around. Apart from his own prolific output, he recently supplied vocals to the new album from the mighty Aphonic Threnody. I mention this here because he’s back once more, providing vocals to another doom band – Lights of Vimana. This time he is working in concert with two others, (current/ex-members of Dalla Nebbia, Mesmur, Void of Silence, and Pantheïst), to bring us 48 minutes of atmospheric/progressive doom, in the shape of Neopolis. Continue reading “Lights of Vimana – Neopolis (Review)”
This is the latest release from French post-metal band Year of No Light.
Les Maîtres Fous is a single 29-minute track that finds Year of No Light at their most droning incarnation. For context for this record, I’m just going to reproduce some of the promo blurb – “Commissioned by Musée Du Quai Branly in Paris for their 2012 ‘L’Invention Du Sauvage’ exhibition, the trance-metal pioneers approached the ritual practices of the Hauka movement as depicted in the film and responded with their uniquely hypnotic heaviness.
Performed only twice, once at the exhibition on the 6th January, 2012 and again in Bordeaux on the 29th January, 2015; this release is a live recording of the second and final performance of ‘Les Maîtres Fous’. ” Continue reading “Year of No Light – Les Maîtres Fous (Review)”
Lera are an Italian post-metal band and this is their debut album.
Containing a graceful mix of post-metal, doom, and post-rock, Rêverie is a 40-minute journey into intricacy and heaviness. Lera have produced a record that is worth spending time with, unravelling its charms and secrets. Continue reading “Lera – Rêverie (Review)”
Aphonic Threnody are a UK funeral doom band and this is their sixth album.
New Aphonic Threnody is always a gloomy, miserable treat. Of Loss and Grief, The Great Hatred, The All Consuming Void, and the colossal The Loneliest Walk were all exemplars of funeral doom, so make sure you check them out if you haven’t. This time around, the artist behind Aphonic Threnody gives us 64 minutes of darkness in the shape of A Silence Too Old, which, as an added treat, features the ultra-prolific Déhà on vocals. Continue reading “Aphonic Threnody – A Silence Too Old (Review)”
Weeping Sores are a death/doom band from the US and this is their second album.
Brought to us by two members from bands such as Pyrrhon, Scarcity, and Seputus, The Convalescence Agonies contains 45 minutes of material. The style is death/doom, enriched with cello, keyboards, and on one track banjo. Continue reading “Weeping Sores – The Convalescence Agonies (Review)”
Coltsblood are a doom band from the UK and this is their third album.
Following on from 2019’s split with Un, (which I thoroughly enjoyed), it’s great to have a new album from Coltsblood to get to grips with. It’s four songs, 42 minutes of hideous blackened doom nastiness. Continue reading “Coltsblood – Obscured into Nebulous Dusk (Review)”
Pelican are a post-metal band from the US and this is their seventh album.
Following on from 2019’s Nighttime Stories comes the 51-minute Flickering Resonance. A new Pelican release is always a noteworthy event, so I was very happy to be able dive into this new album when it appeared. Continue reading “Pelican – Flickering Resonance (Review)”
AAWKS are a Canadian doom band and this is their second album.
Up until now my first and only encounter with AAWKS was on their enjoyable split with Aiwass from 2023. I almost missed this one, until a friend recommended it, and here we are. On Through the Sky Maze delivers 48 minutes of occult psychedelic doom metal for us to devour, and it tastes damn good. Continue reading “AAWKS – On Through the Sky Maze (Review)”
Wonderbox Metal 