This is the ninth album from French doom band Monolithe.
Monolithe are a band that I have really enjoyed over the years, and you can pick up pretty much anything they have released and be transported into a world of doom delights. (this, this, this, this, this, this or this, for example). Kosmodrom is as epic and ambitious as anything the band have previously attempted, and the album is a 67-minute journey into conceptual spacefaring territories.
This is the third album from Sinister Downfall, a one-man funeral doom band from Germany.
Following on from 2020’s A Dark Shining Light, The Last Witness delivers a 60-minute slab of gloomy darkness. Sinister Downfall know how to craft a funeral doom album of grief and hopelessness. Continue reading “Sinister Downfall – The Last Witness (Review)”
This is the second album from Canadian/US death/doom metallers Dream Unending.
Song of Salvation contains 44 minutes of atmospheric death/doom metal. The band features two members, who are in bands such as Outer Heaven, Sumerlands, Tomb Mold, and Vestal Claret, and between them they create an immersive tapestry of slow, mood-focused doom that’s as compelling and well-realised as it is enjoyable. Continue reading “Dream Unending – Song of Salvation (Review)”
This is the second album from US doom band Forlesen.
2020’s Hierophan Violent was a strikingly individual record, one which, for some reason, I never expected a successor to. Well, I’m happy to be wrong; Black Terrain is flush with 59 minutes of new material from this exceptional act. It’s almost double the length of its predecessor, so do Forlesen make good use of this additional running time? Continue reading “Forlesen – Black Terrain (Review)”
This is the third album from Norwegian symphonic death/doom band Abyssic.
Oh my, here’s one I’ve definitely been looking forward to. 2015’s A Winter’s Tale and High the Memory were both stunning records that have only grown in my estimation over time. Towering monoliths of symphonic doom and misery, those records have definitely made me hungry for Brought Forth in Iniquity. Continue reading “Abyssic – Brought Forth in Iniquity (Review)”
This is the latest EP from Worm, a blackened death/doom band from the US.
Worm return! After the monstrous slab of blackened doom malevolence that was 2021’s Foreverglade, Worm are back with 27 minutes of foul new material. Continue reading “Worm – Bluenothing (Review)”
This is the third album from US doom metal band Chrome Ghost.
Okay, let’s get right down to this – House of Falling Ash represents pure emotion given musical form. Crushed into a mere 51 minutes, these highly expressive doom metal hymns drip with emotion and atmospheric presence, and present the listener with an absorbing experience that they might not emerge from unscathed. Continue reading “Chrome Ghost – House of Falling Ash (Review)”
This is the debut album from The Otolith, a doom band from the US.
The Otolith contain ex-members of Subrosa and play an avant-garde form of doom. Folium Limina features 63 minutes of rich, expressive material. Imagine a mix of Neurosis, Dreadnought, Worm Ouroboros, and Daxma, and you’ll have a rough idea of what to expect. Continue reading “The Otolith – Folium Limina (Review)”
This is the second album from Ggu:ll, a blackened doom band from the Netherlands.
Featuring ex-members of Dodecahedron, Ex Est contains 45 minutes of music that’s sharp, bleak, and harsh. With the promo blurb stating that Ex Est is for fans of Mizmor, Bell Witch, Lord Mantis, Bongripper, and Funeral Mist, I couldn’t help but be intrigued. Let’s dive in… Continue reading “Ggu:ll – Ex Est (Review)”
This is the second album from US post-metal band Earthrise.
Until We Rest Beneath the Winter Way is a 72-minute journey into ambitious, spacefaring post-metal territories. Taking in elements of progressive metal and rock, Earthrise craft heavy music with emotive atmosphere and engaging texture. Continue reading “Earthrise – Until We Rest Beneath the Winter Way (Review)”
Wonderbox Metal 