This is the second album from Swedish black metallers Golgata.
Golgata play melodic black metal, and Tempel contains 37 minutes of enjoyably energetic aggression. Continue reading “Golgata – Tempel (Review)”
This is the second album from Swedish black metallers Golgata.
Golgata play melodic black metal, and Tempel contains 37 minutes of enjoyably energetic aggression. Continue reading “Golgata – Tempel (Review)”
House of Wolf and Crow is a music collective primarily focusing on midwest USA/Minnesota bands, in this case, Shaidar Logoth, Herzegovinian, and Horrid Litany. All three bands contribute one song, and the split release has a total duration of 19 minutes. Continue reading “House of Wolf and Crow (Shaidar Logoth/Herzegovinian/Horrid Litany) – Dawn of the Trident – Split (Review)”
Obscurae are a black metal band from the US and this is their second album.
The style here is atmospheric black metal, with influence taken from the classic second wave era and enriched with traditional synth effects. Continue reading “Obscurae – To Walk the Path of Sorrows (Review)”
This is the debut EP from German black metallers Bestialis.
Ritus provides 17 minutes of black metal, and serves as a good introduction to the nefarious talents of Bestialis. The band’s style is rooted in traditional black metal, but also contains elements of more modern styles too. As a very rough Continue reading “Bestialis – Ritus (Review)”
Eoront are a Russian black metal band and this is their third album.
This is the follow up to 2017’s enjoyable Another Realm. Gods Have No Home follows on from its predecessor in a similar way, but is an even superior release. On their newest album Eoront offer us Continue reading “Eoront – Gods Have No Home (Review)”
Gjendød are a Norwegian black metal band and this is their third album.
I’ve enjoyed all of Gjendød’s material so far, (Gjendød, Nedstigning, Krigsdøger), and I’m pleased to say that Angrep is no exception to this. Angrep is not a direct continuation of the band’s past material, however, as these new songs have been mercilessly filed down to a killing point. Continue reading “Gjendød – Angrep (Review)”
This is the second album from UK black metal band Saarkoth.
Saarkoth’s Bandcamp page says that they are inspired by bands like Winterfylleth, Agalloch, and Emperor, and this serves as a good starting point for approaching Cult of Nature. However, although you can hear the influences and recognise the style, I’m pleased to say that Saarkoth have found their own voice within it. Continue reading “Saarkoth – Cult of Nature (Review)”
This is the debut album from Sepulchre by the Sea, a one-man post-black metal band from the UK.
Sepulchre by the Sea’s music is a hybrid form of modern/traditional black metal, expressed in an atmospheric style and enhanced with elements of post-rock and blackgaze. This approach results in a sprawling post-black metal epic that unfolds across 58 minutes of evocative, well-written music. Continue reading “Sepulchre by the Sea – Conqueror Worm (Review)”
This is the debut album from US black metal band Heretical Sect.
Heretical Sect’s sound combines blackened ferocity with doom misery. Specifically, traditional black metal and 90s death/doom. It’s a combination that works well, yielding some gruesome rotten fruit over the course of six grim tracks. Across Continue reading “Heretical Sect – Rapturous Flesh Consumed (Review)”
This is the second album from French black metal band Hyrgal.
2017’s Serpentine was an enjoyably aggressive cold slab of melodic darkness. Three years later, and the band return, and they’ve clearly been busy. Continue reading “Hyrgal – Fin de Règne (Review)”