Estuarine is a one-man death metal project from the US. This is his third album.
Sic Erat Scriptum is the ambitious follow up to 2015’s equally ambitious Lucid/Entheogen. Continue reading “Estuarine – Sic Erat Scriptum (Review)”
Estuarine is a one-man death metal project from the US. This is his third album.
Sic Erat Scriptum is the ambitious follow up to 2015’s equally ambitious Lucid/Entheogen. Continue reading “Estuarine – Sic Erat Scriptum (Review)”
Ataraxy are a Spanish death metal band and this is their second album.
Here we have 48 minutes of death metal with atmospheric doom elements, making for long songs filled with grim moods and shadowy treasures. Continue reading “Ataraxy – Where All Hope Fades (Review)”
Mammoth Grinder are a death metal band from the US and this is their fourth album.
Featuring current and ex-members of bands such as Darkest Hour, Iron Reagan, and Power Trip, it seems like an age since we’ve had a new album from this group of metallic miscreants, but now the wonderfully named Mammoth Grinder are Continue reading “Mammoth Grinder – Cosmic Crypt (Review)”
Alterbeast are a death metal band from the US and this is their second album.
It seems like an age since Alterbeast released their stunning debut album Immortal, which was a masterclass in how to create enjoyable modern, technical death metal. Well now the band are back, with a new lineup too, it seems. Continue reading “Alterbeast – Feast (Review)”
Stygian Obsession are an atmospheric death metal band from the US and this is their latest EP.
Stygian Obsession play old-school death metal that’s bolstered by blackened atmospherics. Ugly, otherworldly nightmares are made manifest through the band’s music; Form Is Void is murky and atmospheric, full of harrowing sounds and dark moods. Continue reading “Stygian Obsession – Form Is Void (Review)”
Gravestone are a Swedish death metal band and this is their debut album.
Featuring members of Entrails and Kongh, this is 34 minutes of classic, old-school death metal delivered in the venerable Swedish style. Continue reading “Gravestone – Sickening (Review)”
This is the fourth album from Norwegian progressive/melodic death metal band In Vain.
In Vain offer us 42 minutes of progressive death metal with a melodic death/black metal edge. It’s a well-received offering, and Currents is a satisfying and well-written album. Continue reading “In Vain – Currents (Review)”
Bleeding Gods are from the Netherlands and this is their second album. They play symphonic blackened death metal.
With a suitably epic album concept based around the twelve labours of Hercules, this is epic blackened death metal replete with some thrash metal elements and a strong symphonic backbone. Continue reading “Bleeding Gods – Dodekathlon (Review)”
Xenosis are a progressive/technical death metal band from the US and this is their third album.
I enjoyed the band’s 2015 album Sowing the Seeds of Destruction, so it’s great to see that their next release is now here. Continue reading “Xenosis – Devour and Birth (Review)”
Horror God and Techne are both Russian death metal bands and this is their split release.
Horror God offer up four songs lasting 19 minutes in total; three originals and a Purulence cover. Continue reading “Horror God/Techne – Split (Review)”