Mother of Millions are a Greek progressive metal band and this is their fourth album.
Magna Mater contains 43 minutes of progressive metal. As my first encounter with Mother of Millions this is an extremely strong one. Let’s dig into this impressive, powerful record. Continue reading “Mother of Millions – Magna Mater (Review)”
This is the second album from US death metal band Maul.
I confess I had unreasonably high expectations for this one going in. I really enjoyed 2022’s Seraphic Punishment, in that deeply satisfying way that only quality death metal can give you. Now that the 39 minutes of In the Jaws of Bereavement has arrived with the force of a gigantic hammer, have my expectations been met? Continue reading “Maul – In the Jaws of Bereavement (Review)”
This is the fourth album from US death metallers Ripped to Shreds.
I thoroughly enjoyed 2022’s 劇變 (Jubian), so have been excited to listen to Sanshi. Containing 41 minutes of new material, Ripped to Shreds are on fire on their new record. Continue reading “Ripped to Shreds – Sanshi (Review)”
Undeath are a death metal band from the US and this is their third album.
Undeath have built a strong reputation very quickly. 2020’s Lesions of a Different Kind put them on the map, and then It’s Time…to Rise from the Grave saw them conquer and dominate a large portion of it. With that in mind, what do the 34 minutes of More Insane bring us? Continue reading “Undeath – More Insane (Review)”
This is the second album from Finnish death metal band Devenial Verdict.
Following on from 2022’s very enjoyable Ash Blind comes Blessing of Despair, which contains 51 minutes of new music. Prepare yourself for an onslaught of crushing atmospheric dissonant death metal. Continue reading “Devenial Verdict – Blessing of Despair (Review)”
This is the eighth album from Norwegian black metallers 1349.
1349 boast current/ex-members of Gorgoroth, Keep of Kalessin, Mortem, and Satyricon in their ranks, and they provide us with 39 minutes of Norwegian black metal in the form of The Wolf and the King. Continue reading “1349 – The Wolf and the King (Review)”
This is the fifth album from German death metal band Temple of Dread.
It has been little over a year since Beyond Acheron, so I was not expecting a new Temple of Dread album again so soon at all. God of the Godless comes to us in the form of 42 minutes of new material, and it once again demonstrates why the band are so good at what they do. Continue reading “Temple of Dread – God of the Godless (Review)”
This is the second album from UK metal band Lowen.
Do Not Go to War with the Demons of Mazandaran contains 37 minutes of progressive metal. The promo blurb describes Lowen as “Crushing progressive doom steeped in the history of the ancient middle-east and the empty vistas of space.”, which is a great introduction to the band’s work, although I’d argue that the doom aspect of the music is not a huge one. Continue reading “Lowen – Do Not Go to War with the Demons of Mazandaran (Review)”
Blue Heron are a heavy rock band from the US and this is their second album.
Ever since first encountering Blue Heron in 2021 on their debut release Black Blood of the Earth/A Sunken Place I’ve been partial to the band’s earthy brand of stoner rock. They capitalised on this early success in 2022 with their first album Ephemeral, and then the following year released a split with High Desert Queen which I particularly liked. All of which brings us to Everything Fades, and its 39 minutes of new material. Continue reading “Blue Heron – Everything Fades (Review)”
Keitzer are a German death metal/grindcore band and this is their eighth album.
Keitzer are always reliable at what they do. 2014’s The Last Defence, 2016’s Ascension, and 2019’s Where the Light Ends were all solidly enjoyable records, so it’s great to have the 41 minutes of Pandemonium Humanitas now with us. Continue reading “Keitzer – Pandemonium Humanitas (Review)”
Wonderbox Metal 