This is the debut album from Miasma Theory, an international heavy metal band.
Miasma Theory contains four original compositions and a Candlemass cover, with a total duration of 34 minutes. Of the original songs, Miasma Theory, (a project headed up by a member of Northern Crown), focuses on delivering heavy metal that’s enriched by elements of doom metal. Continue reading “Miasma Theory – Miasma Theory (Review)”
Reach are a Swedish rock band and this is their third album.
Reach play song-based rock music, and they have produced 38 minutes of this for us to enjoy on The Promise of Life. You can imagine Reach as a mix of bands such as Muse and Queen, as a rough starting point. Continue reading “Reach – The Promise of a Life (Review)”
Altarage are a Spanish blackened death metal band and this is their fourth album.
I’ve been enjoying Altarage’s output over the years – 2017’s Endinghent and 2019’s The Approaching Roar are both really solid albums – and Succumb continues the upward trend that the band are clearly on. Succumb contains 63 minutes of foul blackened death metal, and it’s their Continue reading “Altarage – Succumb (Review)”
This is the debut album from Void Vator, a heavy metal band from the US.
Great Fear Rising is a modern take on a very old style. Void Vator play old-school heavy metal; it’s presented with a modern recording and delivery, but this is mainly a product of the 80s, make no mistake. Continue reading “Void Vator – Great Fear Rising (Review)”
Neptunian Maximalism are a Belgian drone/doom band and this is their latest release.
Solar Drone Ceremony was recorded live over a year ago, and consists of a single 54-minute track. The piece is performed by nine people and features a range of different instruments and sounds. Apparently it’s a Continue reading “Neptunian Maximalism – Solar Drone Ceremony (Review)”
Aphonic Threnody are an international funeral doom band and this is their fourth album.
It’s always a grim pleasure to hear new Aphonic Threnody material. If you’re unfamiliar with the band, also check out 2017’s Of Loss and Grief, and 2020’s The Great Hatred, both of which are well worth your time. Continue reading “Aphonic Threnody – The All Consuming Void (Review)”
This is the debut album from US hardcore band Capra.
Capra play a hybrid style of metallic hardcore and punk. It’s a style that you don’t hear too much these days, and they play it damn well. It’s a style that makes me very nostalgic, yet at the same time it also sounds vibrant and fresh due to the band’s inherent enthusiasm and skill. Continue reading “Capra – In Transmission (Review)”
This is the third album from Body Void, a doom band from the US.
If you haven’t heard Body Void before, then you absolutely need to check out 2018’s I Live Inside a Burning House, 2019’s You Will Know the Fear You Forced upon Us, and their 2020 split with Keeper. It’s now 2021, and time for the colossal Bury Me Beneath This Rotting Earth to be unleashed. Continue reading “Body Void – Bury Me Beneath This Rotting Earth (Review)”
Zao are an American metal band and this is their twelfth album.
This is the much-anticipated follow up to 2016’s The Well-Intentioned Virus, and although it might not be what you’re expecting, it’s exactly what you need. Continue reading “Zao – The Crimson Corridor (Review)”
This is the second album from Danish melodic death metallers Sylvatica.
The core of Ashes and Snow‘s 43 minutes is that of melodic death metal. This is then augmented by folk and symphonic metal influences. If you think you’d enjoy a band that mixes together aspects of groups such as Continue reading “Sylvatica – Ashes and Snow (Review)”
Wonderbox Metal 