This is the second album from US black/speed metal band Bewitcher.
2016’s Bewitcher made an impression, and Under the Witching Cross looks set to cement that impression, with pounding beats and driving anthems. Continue reading “Bewitcher – Under the Witching Cross (Review)”
Call of the Void are a US hardcore/grindcore band and this is their third album.
I’ve been a fan of Call of the Void since their 2015 album Ageless, which was then firmly cemented by their last EP AYFKM. Continue reading “Call of the Void – Buried in Light (Review)”
This is the third album from one man French black metal band Sühnopfer.
After 2014’s very enjoyable Offertoire, Hic Regnant Borbonii Manes provides us with 52 minutes of new material that tears into the airwaves with streaks of melodic colour and a frenzied heart of darkness. This is misanthropic, furiously melodic black metal with a Medieval feel and theme, propelled by rage and very aggressive screams. Continue reading “Sühnopfer – Hic Regnant Borbonii Manes (Review)”
Inanimate Existence are a US progressive death metal band and this is their fifth album.
Inanimate Existence have always impressed. Their blend of progressive, technical, and atmospheric death metal has always been well-written, inventive, and thoroughly enjoyable. So far, they have a prolific streak of high quality work, and Clockwork only adds to this, I’m pleased to report. Continue reading “Inanimate Existence – Clockwork (Review)”
This is the third album from the US heavy metal band Spirit Adrift.
Spirit Adrift’s journey so far has been an enjoyable and interesting one, from the doom metal lengthy epics of Chained to Oblivion, via the streamlined doom/heavy metal hybrid that was Curse of Conception, to now this latest Continue reading “Spirit Adrift – Divided by Darkness (Review)”
This is the third album from Abnormality, a death metal band from the US.
I like Abnormality. Sociopathic Constructs follows 2016’s Mechanisms of Omniscience, and gives us 33 minutes of brutal death metal with a side order of technicality. Continue reading “Abnormality – Sociopathic Constructs (Review)”
This is the fifth album from Italian doom band Nibiru.
This is occult, ritualistic doom, drawing elements of black metal, sludge, drone, noise, and psychedelia into itself and crushing it down into a super dense material that’s used to fashion the imposing tracks on Salbrox. Continue reading “Nibiru – Salbrox (Review)”
Allegaeon’s fifth album Apoptosis is a progressive metal tour de force that uses technical and melodic elements to its benefit in a number of stimulating and highly enjoyable ways.
Guitarist and main man Greg Burgess tell us more about this latest opus… Continue reading “Interview with Allegaeon 2019”
Well, there were so many high quality albums that came out in April it was quite impressive. I had a shortlist of 20 that I wanted to highlight, but decided that 20 was a bit too excessive. So, after great pained deliberation, I give you the ten below… Continue reading “Monthly Overview – the Best of April 2019”
Old Night are a Croatian doom metal band and this is their second album.
So, I absolutely adored Old Night’s debut album Pale Cold Irrelevance, and it made it into my best of 2017 list. As such, expectations were running high for the band’s second album.
I’m pleased to say that A Fracture in the Human Soul has more than satisfied me. Continue reading “Old Night – A Fracture in the Human Soul (Review)”
Wonderbox Metal 