This is the third album from Lord Dying, a sludge metal band from the US.
A quick comparison between the cover artwork for the band’s previous album Poisoned Altars and this new one immediately led me to believe that Mysterium Tremendum was going to be a different kettle of fish Continue reading “Lord Dying – Mysterium Tremendum (Review)”
This is the debut album from Experior Obscura, a one man, (and session drummer), Italian black metal act.
Apparently this is a reworked, remastered, and generally revisited and updated version of a 2015 demo. I haven’t heard the original to comment on the differences, but this version of Iter in Nebula sounds good, both musically and production-wise. Continue reading “Experior Obscura – Iter in Nebula (Review)”
Bather are a sludge metal band from the US and this is their debut album.
I like hybrid bands that are hard to easily tag, and Bather qualify. Bather play a violent metal/sludge/hardcore style that involves Continue reading “Bather – Bather (Review)”
This is the debut album from Everest Queen, a sludge metal band from the UK.
Having enjoyed 2016’s self titled debut EP it’s good to have a full length from the band now. This is progressive sludge metal, with an imposing presence and plenty of riffs. The band’s promo blurb states that this is for fans of High on Fire, Om, Mastodon, and Isis, and it’s hard to disagree. Continue reading “Everest Queen – Dead Eden (Review)”
Dead to a Dying World are a blackened doom band from the US and this is their third album.
2015’s Litany was a sprawling, ambitious album. It was also very good, although this new release is something quite new and special in some ways. The band have returned with the even more expansive and developed Elegy. Showing greater focus of delivery, (49 minutes vs Litany’s 73), Elegy is also wider ranging and boasts Continue reading “Dead to a Dying World – Elegy (Review)”
Inter Arma are a US post-metal band and this is their fourth album.
A new Inter Arma release is always welcome. 2014’s The Cavern was a stunning record that topped my end of year list, and although 2016’s Paradise Gallows didn’t ascend to the same heights, it was an album that I still deem as an essential listen, (and in hindsight should definitely have been higher up on 2016’s list). Continue reading “Inter Arma – Sulphur English (Review)”
This is the second album from Italian post-metallers John, the Void.
After the band’s 2014 debut EP they jumped forward in style and quality with 2016’s II, and now they’re back with 48 minutes of new material for the listener to become absorbed in. Continue reading “John, the Void – III – Adversa (Review)”
Sloth Hammer are an experimental sludge/doom band from the UK. This is their second album.
No guitars, two vocalists, two electronicists, (is that a word?), two drummers, and plenty of bass, Sloth Hammer bring the pain on their second album across a colossal and punishing 78 minutes, recorded live and improvised. Continue reading “Sloth Hammer – Superbia Ira Acedia (Review)”
Body Void are a doom band from the US and this is their latest EP.
After last year’s colossal I Live Inside a Burning Building I wasn’t expecting to hear anything new from Body Void for a while, but I’m very pleased to be mistaken. Continue reading “Body Void – You Will Know the Fear You Forced upon Us (Review)”
This is the fourth album from 11Paranoias, a UK sludge/doom band.
This is the follow up to 2016’s Reliquary for a Dreamed of World, which introduced me to 11Paranoias’ drugged out psychedelic existence. Continue reading “11Paranoias – Asterismal (Review)”
Wonderbox Metal 